#also character actually make an appearance this time

[usedpidemo]

Getting closer (Kang Hyewon)

“All I’m saying is—” Hyewon looks away, drink in hand, taking a little sip, calm and alluring as ever, “if you only want to see me naked, then you could have just said so.”

You widely stare back, silent, indifferent—or at least pretend to be. It’s gotten you a fair amount of awards, after all. It’s not the slightest bit of convincing whatsoever.  

She laughs, softly, as if this was the expected outcome. “So I’m taking that as an admission.” 

Setting down the near-empty wine glass on the bathroom sink, Hyewon attempts to walk away, only to be stopped by a sudden pull. Your hand appears tightly wrapped around her dainty wrist, unwilling to let go. Your eyes aimlessly wander up and down the empty void that is her black dress. There are hardly any thoughts behind that predictably empty head of yours, only the simplest of desires.

You catch the subtlest grin forming on her saccharine lips. You fucking hate how she makes you feel. How she makes your heart race with every exchange.

Despite all the time you’ve spent together, you wish you got to know her better.

—————

The last year and a half of your career has mostly centered around one thing, or in this case, one person: Kang Hyewon. There’s also this drama starring your pairing as co-leads, and you’ve been promoting together, but your names make up more of the headlines than the very show. Your names are synonymously tied together akin to an actual couple.

Unsurprisingly, Hyewon is damn gorgeous. It’s how she’s getting the calls to begin with. Another one of those former singers turned actors looking to be taken seriously within the larger entertainment industry. Most never make it past their first project and fall back on their old careers, with some completely flaming out of the spotlight altogether. She’s an exception. A minor part here, a supporting cameo there—until she’s more than pleasant eye candy. A starlet who knows how to pick what roles would showcase her talents the most. 

She’s the perfect blend of beauty goddess and hotshot young star that the internet can get behind.

So it comes as a surprise when she’s casted as second fiddle to you, the first billing—and everyone comes away talking about her more. The scene stealer. 

(This plucky rival agent, investigating a case your character has been trailing for years, barely scraping by with the thinnest of clues, only for her to uncover the mystery only days after starting the investigation. The writing screams Mary Sue, but she acts convincing and vulnerable enough to escape the scathing think pieces that’s commonly associated with such characters. Not to mention: you both look damn good together on screen and during your public appearances.

It’s a team that sailed a thousand ships—both for your characters and in the real world.)

The consummate professional you are, you don’t think much of it. Your filming experience can only be described as businesslike. Except for the scenes where you’re together on screen, you’ve been separated at arms’ length, only exchanging words between takes to keep any further relationship from developing. It’s only during the press tour where you’ve finally gotten somewhat close.

Perhaps a little too close for comfort. Enough to make video compilations by overzealous fans who think you and Hyewon are really an item. The evidence is everywhere—in interviews, behind the scenes content, and on both your Instagram pages. At least, that’s what they want to believe. Everyone else brushes it off as two hot people being hot together, and not much else.

Here’s the thing: you love Hyewon—that much is true. The question now is: does she love you back?

Thankfully, your duo doesn’t get in the way of the show being lauded, despite making up a majority of its fandom. Positive reviews from both critics and viewers, especially in regards to your chemistry. The connection between you two is one in a million, something that can’t be built over years and years of working together. It also helps your performances sell the dynamic incredibly well—well enough to create those delusional shippers that form the bedrock of your partnership. 

Your names were positioned to go far during awards season. Not the consensus top pick, but as dark horse contenders to steal one every now and then. And while you both won your fair share of accolades, neither of you ended up walking away with the top prize. The conversation during the final ceremony of the year consisted primarily of the media and viewers talking about how your appearances together these last few months—and how you’re a match made in heaven. 

Everyone’s gonna miss this pairing—and so will you.

Now you’re back at square one. Having snuck away from the afterparty currently celebrating the dozen or so awards your show won earlier tonight, you’ve brought Hyewon back to your hotel room. Neither of you cared once you both lost your respective categories. The pundits thought you each only had the slimmest of odds to win, so why bother. Hell, you were both itching to leave as soon as the red carpet concluded. 

It’s all behind you now. You’re finally free from the glitz, glamor, and chaos of these vanity ceremonies and can really focus on what really matters—the pretty girl that you most likely won’t be seeing starring tomorrow. Your careers and interests couldn’t be any further apart: your main focus is movies, while hers are dramas. Both of you remain booked and busy for the next few years with different projects, with not a single one reuniting you two for the foreseeable future.

Back to Hyewon. She’s looking down at her wrist, tightly held by your hand. She allows it. You can feel her pulse. You sense that your hearts are racing in unison, tense and anxious.

“Are you gonna do something?” she questions, daring you to pull the trigger. She knows something you don’t—or maybe you do. You’re blinded by fear to realize it. “The night is fleeting. If not now, then when?”

Her words ring through your head. 

If not now, then when?

The same five words, ordered in the exact same way—etched in tiny letters on her skin.

You still remember everything—frame by frame, down to the last details. On screen, it’s implied. In your mind, it canonically happened. She took her shirt off, exposing herself and the scars of battle, and you were gonna go there. In your characters’ supposed words, ‘Clean’’ in your own unique way.

It was ultimately never shot. Bare minimum of fanservice and completely unnecessary, the director said. 

The tattoo sticks out, not only because of how it's deeply embedded on her otherwise pristine, lithe figure, but also because it represents the last 18 months of your career.

During this period, there are a lot of things that you’ve regret—and will regret. The fact you’ve kept contact with her during filming at a minimum, keeping your interactions strictly between takes and creating a negative air around you in her eyes. The fact it took you so long to exchange numbers, only getting it done during the press tour. The fact that you never return her messages when she constantly reaches out to you, whether through text or on your Instagram. The fact you haven’t thanked her enough times during your acceptance speeches, even when you mention her name in almost every other sentence. If there’s anything you want to admit, it’s that Hyewon is everything.

Most importantly, the fact that you fucking love her, to the point where you’d yearn moments when you’re not beside her—and you still lack the will to confess to her. Even right now. When she’s right at your fingertips.

Perhaps she knows this. The signs were there all along. How she often posts your red carpet photos together and tags you in them. How she also mentions you as much during her acceptance speeches and credits you as a reason for her improvements in acting, even referencing specific advice you’ve given her. The biggest hint, however, are the dresses she’s been wearing to these galas, most evident being tonight. Simple all black, tailor made for her frame, showing off her assets for flaunting to the cameras. 

Earlier, she led you to an empty part of the theater to say something in private. “I wore this just for you,” she said—and from that point, you had to get her alone, whatever it takes.

Really, Hyewon has no intention to leave tonight. She’s just waiting for those magic words. There’s no other logical reason for her to be here, other than for you.

She might as well be holding up a huge signpost with all her requests written in capital letters. 

“If you’re not gonna do anything,” she says, tone casual, slipping one strap of her dress down her shoulder, the one half of the fabric dropping a fair amount. “Then I might as well do it myself. I was hoping you’d take this off me—”

“Stop.” 

You grab her other hand, close to touching the other strap, the dress more than ready to fall down. She raises her eyebrows in amusement. Afterward, she puts the seized hand down, convincing you to release the grip. 

Another win for Hyewon. You’ve lost count as to how many times she’s been messing with you throughout awards season. Probably in the hundreds. Thousands if you count the interviews and little jabs during her speeches. Every mention of your name is an immediate sign of trouble. You can sense she’s enjoying every single moment, relishing the remaining time you have left. Meanwhile, it’s clear on your face that you’re stressed. 

But for what?

“If it hasn’t gotten through your thick skull, then I have no choice but to explain it.” Hyewon climbs atop the bathroom sink, strong enough to lift herself off the ground. She pours the glass with new wine; it’s not meant for you. Her attitude flips instantaneously like a switch, composed and readying herself as if it were another photoshoot. 

Taking a sip of the drink, she pours the rest all over her dress. It serves no purpose anymore. it’s undeniable that she knows what she’s doing. That elegant yet cocky smile is permanently seared into your brain. Someone this haughty shouldn’t be this beautiful and seductive. “You can stand there and waste the night away, or you can do something about it. All up to you.”

You can only sigh. Whether out of wistfulness or annoyance is up for interpretation. You can add taking her back to your hotel room and taking this role in your ever growing list of regrets. When it’s all said and done, it’ll definitely be as long as the career documentary they’ll make about you in 50 years.

What more do you have to lose? 

This will all be behind you soon enough.

You finally stop giving her the cold shoulder. “God, I really wish you weren’t such a tease,” you remark, pulling on the dress strap she previously slid down. “Because otherwise, it would have been so much easier.”

Hyewon seems to have taken your words seriously, because she suddenly kisses you—as in, relentlessly smothers you. Her arms wrap around your neck, slowly pulling you close into an embrace. She smells of alcohol and perfume. An unusual concoction that you can drown yourself in.

“Only if you say the magic word,” she says, gently laughing between kisses. The lower half of your face is full of pale lipstick marks. It was foolish to think she had turned a new leaf, knowing how intentional Hyewon can be with everything.

You’ve really got no other choice.

“I love you,” you confess, but in the smallest audible voice imaginable—hiding that reluctance behind your tone. 

Hyewon pulls herself back, smiling toothily at you, borderline snorting. Her expressions convey the idea that you told her a joke, which it may as well be. 

“That’s it? Doesn’t sound like someone who loves me,” she remarks, tone evidently disparaging.

“Fuck me.” The groan comes out instinctively, as if this wasn’t your first time getting burned like this. Your head is raised to the ceiling, asking the gods for an out.

“That’s my line,” she spouts, her response almost as instantaneous. Wit comes naturally to Hyewon. The countless viewers and interviewers who’ve laughed can speak on her behalf.

“You’re gonna turn everything I say into a joke, are you?” you ask, knowing you’ve willingly fallen for the easiest bait in the entire world.

“You’re gonna turn everything I say into a joke, are you?” she repeats, mockingly imitating your voice, much to your utter chagrin. This isn’t part of some romcom or a sketch. This is real. Everything comes back around to Hyewon. She laughs—basks in your suffering.

It’s the kind of trait that would leave you second guessing whether you really love her or not. As it turns out, the public loves celebrities with a playful sense of humor. Not even you are innocent—you’ve been caught red-handed on camera a few times. Hyewon doesn’t need to reaffirm herself.

But she would love to hear it straight from the source.

“Say it. Say it.” Hyewon is urging you—demanding you—as if it were a matter of life or death. Her hands are everywhere, gripping you by the cheek and the throat like her prized possessions, threatening to choke the life out of you. 

Truthfully, this was coming the moment she stepped through those doors for the first table read. Hyewon’s gravity is inescapable.

“Love you—Hyem, please—” 

Struggling to push back against her hold, you can tell that she’s taking pleasure in every moment she has you like this: wrapped around her finger, so whipped over her that it’s alarming. There’s little use in trying to be coy or subtle. If she wanted you to go down to the afterparty in nothing but your boxers, you’d fold in a heartbeat. She’s the kind of girl you’d happily end up in a scandal with, someone you’d throw your career away in exchange for one timeless night, against the advice of everyone who knows better.

She knows this too. Look at the coy grin spreading on her face. A smile perfect for the front cover of any magazine or commercial. It’s the perfect facade for the attitude hiding beneath.

“I love you Hyem,” you repeat, showing a bit more desperation and sincerity this time. You’re breathing against her neck, the idea of pressing your lips against her skin a dire need. It’s unfortunate you can’t make it look like an accident—as is the idea of your bodies sinking down on the bathroom countertop. “For the longest time, I wanted you, but—”

Only now do you come to the simplest realization: there are no accidents.

Normally, you should feel some shame for being this oblivious. How a girl like Hyewon is giving out all these hints, to the point where she might as well be spreading her legs wide and pointing down at her cunt with a colorful sign. Hell, a thigh is peeking through her dress, pressing on your leg right now. If there’s one thing you’ve learned about working with other actors, it’s that chemistry comes naturally—it can’t be taught.

And your bodies are doing exactly that. The friction between you can’t be any more tense.

“Then show me.” She sighs against your ear, pulling on the topmost button of your suit, pushing down the matching coat. Her leg extends around your limb, goading you to pull away, even though leaving the pretty sight right in front of you is the last thing on your mind. 

You can only breathe. Slow. Hesitant. There's not a lot of hours left, and you’re wasting more by taking your sweet time—resting your gaze on her pale shoulder, admiring all the little details. In essence, you’re doing the complete opposite of what Hyewon wants. She’s showing a little frustration, proving how much better of an actress she is than you. Imagine being in her shoes, beckoning to someone astronomically unaware for months. So much energy and effort could have been saved if she chose to leave you out to dry. If you weren’t so preoccupied with thoughts of her, the many ways this little scene can go, you’d be wondering why she’s this persistent. 

Maybe you’re just as important of a character in her story too, or you’re both stubborn in your own ways. Perhaps both.

None of that is your concern right now. You’re cupping Hyewon’s face, kissing her, nibbling down on her creamy skin, reaching up to her lips by the way of her neck, pulling on the strap of her dress little by little. In response, she’s whispering sweet nothings into your ear, removing your dress shirt one button at a time. It feels like you’re going through the motions, acting under the words of an intimacy coordinator and a director. Slowly but surely, it’s all coming together, until—

“Stop.” 

You pull back, noticing your shirt is nearly undone as you look past her and at the mirror. Both dress straps are halfway down her arms, the fabric a mess, waiting to be swept away. 

You raise an eyebrow, puzzled. “What’s up?” 

Hyewon tilts her head at an angle, unsatisfied. She’s staring at you intently, taking a moment to analyze you like you’re a problem to solve—which you are—before coming to a rather alarming conclusion. “You don’t seem like you want me that bad.”

The remark doesn’t register in your brain. “What do you mean—”

She yanks you forward for a deep kiss, cutting you off. Reciprocating her passion comes naturally—and so does everything else. The movement of your hands, taking lease of her back, tearing through the fabric of her dress, coming back to her cheeks, until you stop feeling cloth and register more flesh. Feeling her skin becomes your new addiction, something you can’t get enough of. 

Watching her other movies—for research purposes—you knew she was well endowed, even when they were not on full display.  Some of her previous gala dresses truly put a spotlight on her cleavage. Part of you thought it was editing trickery, a perfectly taken photo at the right time, or a bra doing the heavy lifting. All three even. But holding them now, with nothing in between, you simply couldn’t believe how well they’ve been hidden from you. 

Her tits fold, go flush, and her nipples stiffen at your touch. They feel so right—as if they were handmade for you.

“God, Hyem—” you breathe out, savoring the sensation of her mounds in your clasp, unwilling to let go. Her taut nipples jerk with every run of your palms. If only you could rest your head between them, but your current position won’t allow you. 

“They feel so good right?” Hyewon moans in response, shedding your unbuttoned shirt off your body and tossing it to the floor, taking lease of your muscles and back. Her dress bunches up around her waist, practically collapsing when she decides to get up from the sink. Although an expected outcome, you’re both surprised that you’ve managed to get each other’s clothes off.

And you’re only getting started.

Pushing you away, Hyewon meets you at your level. Gravity does the rest. She stands before you in nothing but heels. What a mental image to remember her after tonight. She leaves you frozen and trembling, jaw agape, your eyes in a daze, unable to find a place to settle your fleeting gaze on—until she rests her hands around your shoulders. You’re caught up in your own disbelief to meet her lovely gaze and that rather sweet smile, quite the difference from her bare state.

She lifts up a leg, pushing herself onto you for another passionate kiss. Taking advantage, her legs eventually wrap around your waist, bearing all her weight on your grasp. Despite her surprise attack, she’s feathery enough to carry around. It certainly helps that she’s not the heaviest girl you’ve lifted before; you have some experience—mostly unpleasant and usually backbreaking. Still, you’ll treat her like some delicate object that crumbles at the slightest touch. Something—or someone—you can’t ruin, or else you’d be ruined too.

You both end up in the living room, deeply engrossed in a fiery passion that’s too hot for cameras. Lifting her high, your lips find their way to her chest, pressing them in the place where they rightfully belong. Hyewon is stubborn, pushing your head further up to meet your lips in a direct, frantic kiss. Back and forth, you take turns between her tits and her lips, unintentionally slamming her against a wall, eliciting a few yelps out of her. 

It doesn’t bother you both in the slightest. You hold her there, kissing down her abdomen and ribs, coming to the tiny inked part of her figure. The same tattoo that’s been ingrained in your head since you first saw them.

You mutter the very words against her skin. 

“If not now, then when.”

They’ve never been so relevant till right now. You softly kiss the ink, silently thanking her for saving you from a lifetime’s worth of regret.

Hyewon winces, throws her head back, moans up to the ceiling. Her nails brush through your hair, then claw at your nape as you remain fixated on her tattooed rib. She deserves to be adored and worshiped.

“Look at me babe,” she murmurs, gently tilting you up, faint at your touch. Against your desires, you follow. “Put me down. You know why I’m here.”

You oblige without a second thought—and you’re both on a level playing field again.

Still, you can’t help but kiss her right after. She reciprocates the favor. You’re a perfect match. Even as you’re making out, you’re thinking of ways to get messy and get the jump on her while she’s preoccupied. 

It ends up being your biggest mistake.

Both of you wrestle for control over the other, a scuffle that ends up knocking down a few appliances and tableware. The sound of glass shattering rips through the hotel room floor louder than your collective moans ever will. For someone with a lithe figure, Hyewon proves to be much stronger than you were led to believe. It shows when you try to push her onto another table; you both end up crashing to the floor seconds later. 

From there, it’s whoever is the first to get up, and you knew it was all over from there.

Hyewon leads you into the sole bedroom, shoving you onto the mattress. Unrelenting, she slams onto you right after, pinning you down with her bare hands. Surprising her with your own strength, you reach for her raven locks through her ironclad grip of your wrists. Your lips continue to crash like waves against rocks, neither of you willing to back down. There’s a clear disparity between you: she wants you more.

To further prove her point, she presses her palms down on your chest, sitting over you upright, straddled on your lap. She’s never looked better.

Making quick work of your trousers, your cock is freed from its confines, only to be immediately caught up in Hyewon’s hand. Her grip spreads through your groin, turning breathing into an absolute nightmare. The one fear that’s been haunting your mind these last few months, finally realized. 

And it’s staring you down with an innocent yet wicked smile.

“You have no idea how long I wanted this,” she remarks, her sultry voice sending shivers down your spine. Arching down, she presses her tongue forward on your throbbing tip. Combined with the pressure she’s building with her hand, holes puncture through your lungs. And right on command, you’re leaking. She’s lapping your cock in circles, slow and agonizing, taking every little drop of precum seeping. You can only tremble beneath her, utterly defenseless. “Remembering when I was tapping your foot with my heel earlier tonight?”

She leaves you in such a dizzying spiral that you can’t even look directly at her, let alone formulate a reply. Meanwhile, her eyes remain fixed on you, doe-eyed with innocence, yet her actions are cruel. Breathing proves to be a struggle, let alone returning with a response. “What about it?”

“I wanted you to follow me to the bathroom. And I wanted you to fuck me in there.”

Honest to God, that was not the first thought on your mind. If anything, the presence of many proved to be the ideal shield in keeping yourself away from Hyewon. Losing best actor was the greatest blessing in disguise, as it meant you didn’t have to look straight into her magnetic eyes during your theoretical speech and make an embarrassment of yourself in front of hundreds in attendance, and millions watching on television. 

Now that you’re in bed with no way to escape, you can only accept your fate.

“I’m not the best at reading the room,” you comment, sheepishly shaking your head.

“Not surprising, honestly,” she says, rewarding your candor with a kiss—on your tip. Then another. More heartwarming than arousing, if anything. “Anyone ever told you that you’re kind of a dork?”

“Not the first time I’ve heard it from a girl,” you say, in an attempt to show some wit, only to be met with a stiff grip on your cock. “Ah—fuck—”

A bit more force and Hyewon could break you in half with her mere hand alone. She’s cold, calculating, and cruel. Her expression seems apathetic, yet deep down, you can tell she’s having so much fun toying and teasing you, stealing what little semblance of willpower you have. And to think she’s this demure, sometimes funny celebrity with a certain image that’s universally admired by many. 

Behind that gaze, she’s thinking of more ways to further ruin you.

“I don’t think a dork like you has been with other girls,” she remarks, leaning forward to tease a kiss, only to leave you dry. “But looking at this cock—”

She stops to admire your shaft once more. Ultimately, she can’t help herself. She has to give your tip another ceremonious flick with her parched tongue in appreciation. Two, actually. If she doesn’t stop, you’ll soon be deep in her throat, and you know she’s not letting you go. Thankfully, she finally regains sight of what she wants in the first place.

Lifting herself ever so slightly, Hyewon takes a deep breath—then slowly melts into you. 

It’s a car crash you can’t look away from. It’s inevitable, but you’re completely powerless to stop her. You can only groan in agony as your bodies intertwine, creating a union that only she can break. Inch by inch, you helplessly watch as Hyewon slowly takes you into her suffocating heat. The sensation is unlike anything you’ve ever felt before: vicious, intense, and painful. 

It doesn’t help that she’s taking her sweet time, keeping you on edge for what may as well be an eternity, bracing for the certain explosion she’s going to leave in her wake. 

“Oh—fuck—it’s so perfect,” Hyewon throws her head back, her jaw dropping slow, every word delivered in a near-inaudible sigh. Eventually, she buries herself in you deep to the hilt—and she keens. “That—that’s it—that’s the fucking spot—”

Your hands cling to her waist, your maw similarly agape, breathing tensely as the pleasure slowly courses through your muscles. “God—you’re fucking tight—”

She hums in return, satisfied by your response, before losing herself in the sensation of your cock impaling her—and she begins to move.

As you fight the urge to cum right then and there, Hyewon slowly lifts herself off your lap, your cock reappearing with a fresh coat of her drenched pussy, before sinking back down. She rips the breath right from your lungs, while you’re forced to shut your eyes. Anything to keep your brain firing as the pleasure rushing throughout your body sends you into overdrive. 

You’re an outlet of ecstasy, a conduit for her to loosen all her pent-up frustration and lust. Her palms grip to your thighs, keeping you in place—as if you’re in any condition to move anywhere except for her whim. She’s crashing into you at a punishing pace as a result of keeping yourself away for so long. And she’s being open about it too: “Why did it take us so long—ugh—”

You can only moan back. Truthfully, you’re wondering the same thing too. 

As your eyes alternate between wide open and completely shut, you catch glimpses of Hyewon using every inch of you to fill her wanton pussy with cock. When she’s not cursing or screaming your name, her moans fill your ears with sweet, sultry music. It’s a sound not of her high class image. She’s riding you like it’s life or death, like her heart will stop beating if her cunt isn’t being stretched out.

With every bounce, so do her breasts. Up and down, settling into a rhythm, forming a hypnotic motion that your eyes get lost in. Your obsession reaches a point to where the movement of her tits stirs you on, reigniting your tired muscles. You can’t lie there and be a helpless viewer any longer.

And so, you meet Hyewon halfway, matching the grind of her hips with your thrust at the apex, setting her alight. This particular stroke. The hot sensation. It utterly shatters her. Her voice cracks. She trembles violently, giving you breathing room to sit upward and lean close to her chest. 

So while she staggers back, overwhelmed by your cock spearing her cunt, you go down on her succulent breasts, squishing your face between them. Despite having Hyewon’s body all to yourself, the friction between your bodies creates this wracking storm that drives you insane. It isn’t enough that you’re feasting on her tits, that her boobs are bouncing so hard it’s downright pornographic, and that she’s screaming her heart out in response to each stroke. This will be headline news tomorrow. Yet, none of that is your concern. You have to pour everything into her. It’s now or never.

“Fuck yes—oh fuck—fucking take me—fuck—” Hyewon’s riding your cock, forcing all the air out your lungs, rendering you speechless. Doesn’t matter, you’re drowning in her slick and her tits, pounding away with twice the effort. She’s swearing through her tongue like she’s a cop in a crime picture, biting down on her lip in a flimsy attempt to restrain herself, but anyone with a good ear nearby could have easily identified her voice through the four walls of this hotel room. Knowing her, it’s intentional. She’s determined to put you through a world of trouble, leaving you with no other choice but to shut her up.

And you’re going to do just that.

You end up yanking her by the waist as your bodies repeatedly collide with each other. Each impact the equivalent of a cosmic explosion, the aftermath echoing through the room. The sound of skin slapping skin fills your ears louder than what it seems in the movies. Sex with Hyewon is much, much better than in your fantasies. Here’s another thing that can’t be found on camera: her soft pleas begging you to keep going, interlaced between harsh whines and airy moans that can’t be faked.

“God, I’m gonna fucking cum, Hyewon.” There you go, your silly side showing at such a serious moment. Everyone knows you don’t proclaim your impending climax. Rookie mistake. You’re not shooting a porno, but you might as well be with how hard you’re fucking her. She can’t help but cackle even as you relentlessly pound into her cunt. What should be a moment of weakness immediately gets brushed aside as you hold her when she slams down, and you finally fall apart.

Impaling your cock hilt deep inside Hyewon, you’re digging your palms deep into her soft flesh, unwilling to let go. She rests her head beside yours as you blast her with thick, warm cum. Her prolonged, saccharine-sounding moan is nothing compared to the loaded groan that ripples through the room. The supplication she makes, demanding you to fill her with every little drop goes through deaf ears. Your dick seems to have heard it loud and clear, though. The amount you’re filling her is enough to rip through her body violently too. She follows with her own peak afterwards, hitting a previously unheard octave higher, your bodies finally melting into one. 

Just like that, she’s clinging to you like you’re her personal life support, completely drained of all her strength. 

The ecstasy lasts for a brief moment. The fall off happens too soon for your liking. Like her, you’re sapped of energy and you fall down to earth with Hyewon in your arms. The end comes—not with grandiose drama or spectacle, but by a calm, uneventful stir.

You should be done at this point. It’s been a long day. You’ve been up as early as sunrise, spent hours behind makeup and measuring tape for a suit you won’t wear more than once. Smiling comes natural, if not downright fake; in front of the cameras, on the red carpet, on screen, and even during the afterparties. Every time you step out in public, there’s an image, a reputation to uphold. You’ve done this a dozen times in the past few months alone, bearing a lifetime’s worth of and it never gets more comfortable or easier. It’s a miracle you haven’t cracked or had a public breakdown, even though your mind is calling for it.

And yet, all that labor and agony is worth it for what you have now. The awards, the recognition, the adoration—but most especially the girl. What are you now, taken out of a story. One that feels all too familiar and done to death, but it never grows old or tired. 

By all accounts, it should be a happy ending. 

Except you’re not done. You’re not satisfied, and so is Hyewon. Even though she’s settling down in your embrace, resting her head against your heartbeats, mumbling these sweet nothings about how much you’ve ruined her and fucked her to shreds, she’s quietly begging for more. It isn’t about keeping a sanctimonious image anymore; it’s about how far you’ll push her and use her. Your throbbing cock buried inside her cunt says it too.

If there’s anything you’ve learned about acting, it’s that one take isn’t enough.

Like a damsel in distress, you scoop Hyewon into your arms. Through what you might consider a second wind, you carry her into the bathroom again on wobbly legs, stepping into the shower, showing that you’re ready to take your relationship a step further. You’ll hash out the details in the morning—if she hasn’t left by then.

The sound of running water serves as background for the airy, lewd noises that quickly fill the shower. 

Hyewon feels incredibly soft to touch. Pliable in your grasp, like a doll to bend, twist, and use at your whim. You’re squeezing her flesh, fondling her mounds tightly till you’re seeing red everywhere. Her tits, her shapely ass, and everything in between. Kissing down her body, giving every little part its much needed attention. You’ve fucked her to pieces, yes, but she’s still housing a divine figure that deserves the same level of praise. 

With two fingers stroking at her cunt, she’s keening, her head tilted up to meet the relentless downpour rushing down over your bodies. Her voice is in tatters after an hour of tireless screaming, in addition to all the mindless chatter from earlier tonight. Part of you wishes to have taken up her offer. Something this good shouldn’t be kept secret, but you’re more than selfish enough to keep Hyewon all to yourself. 

Your raging impulse gets the better of you, and you slap her tits from behind. She yelps a cry of pain and pleasure. The recoil and sound activates something in your brain like a sleeper agent. You do it a second time, then a third. You stop counting after, indulging yourself in the satisfying noise of her mounds smacked over and over, every squeal, every strike equally as gratifying as your cock slamming into her pussy. She’s clinging to the walls as a respite, her body shuddering vigorously, but you don’t give her a moment to breathe. It’s what she would have wanted: to be used and taken like a ragdoll.

Hyewon screams again when you swing her around, lifting one leg around your waist, and slam your cock inside her. No pleasantries, no talking through the process—only a desire to fuck. Burying your face against her neck, growling into her skin like a ravenous beast, you hammer away without care for neither your comfort nor hers. You’re counting the hours, minutes, seconds before she disappears from your life, and you’re gonna make sure that years from now, she remembers this night in particular.

You’re too engrossed to see her expressions twist in impossible ways that average humans can make. But that’s the point: Hyewon is no ordinary person. She’s one actress, something that can be found in others who are more talented and have more resounding qualities, but more than that, to you, she’s everything. The clench of her cunt on your cock continues to invigorate you and push you further. With every thrust, she jumps and sends aftershocks coursing through your veins. God, you love how incredibly well she fucking takes it, and the slightest tilt of her lips struggling to form a grin reinforce this. You’ve got nothing else to say, really; you easily lose yourself in your own lust, and you wouldn’t have it any other way.

It doesn’t take too long before you feel it again. The end. It’s approaching faster than you can react. You knew it wasn’t going to be a drawn out affair, but you’re so desperate to reach that high, no matter how brief it may be. It was too good to pass up, and you’re beyond waiting a second more.

You’d give everything up for even a single minute longer, but the period of bargaining has long passed you by.

“Gonna cum again—fuck—” is all you can muster, your first words after a long while. Her pussy feels so good to form coherent words. Lust has utterly consumed your brain more than anything. The entire time, Hyewon’s mewling, keening in every direction, trying to find purchase on the walls or the shower door, only to fall a few inches short. She ends up coming back to you, hanging on for dear life. You’ve never let up, terrified that she’ll magically disappear into nothing at any second. 

Acting fast, as if you’ve got a ticking bomb in hand, you draw your cock out, coated in a thick sheen of your own cum and hers, pumping yourself with a few strokes of your hand until you finally explode. The shower washes down the milky white blot you’re unloading on her skin, never leaving a permanent mark. It does, however, bring you back to the place that began your undoing.

The tattoo on her rib. 

Water wipes the cum blocking the view. Despite those same five words occupying your mind for the last few hours, it still hits like a fresh revelation. You hear her voice repeating them inside your head as you come to your senses, your lust being satiated—for now. Even when Hyewon is completely broken before you, reduced to a quiet pile of flesh. One hand on the surrounding wall, the other in limbo, her leg still coiled around your waist, forcing oxygen into her tired lungs wherever she can. 

With the ‘quick’ shower done, and after hardly any cleaning was made, you carry her back to the bedroom. 

You don’t even make it past the living room before your legs finally give up. You end up crashing onto the floor together before you both finally call it a night.

—————

“This is your fault you know,” says Hyewon, drawing circles on your chest, over your calm heartbeats. “I’m supposed to be in London tomorrow for my table read. And yet I’m still here. My flight was five hours ago by the way.”

It’s already high noon when you finally regain consciousness, your head still spinning despite not taking more than one alcoholic drink the night before. Hyewon’s doing marginally better, having woken up 30 minutes earlier. No wonder it feels so hot; her body is snuggled up on you, your limbs tangled. Despite the urgency she’s speaking about, she doesn’t seem to be interested in moving any time soon.

At least you’re awake and sensible enough to fire back. “Who’s fault is that? I wasn’t the one inviting you to come over and have you fucked senseless.”

She chuckles into your skin, little ripples forming where her lips are gently pressed. “And I wasn’t the one who spent the last 18 months saying we’re just friends.”

You’re already lying flat on the floor, but the rebuttal only makes you want to get up only to fall back down. So you settle with an expressive sigh. 

Hyewon laughs. It’s what won over millions, including you. You’re taken back to that fateful day you first met. Right then and there, you knew there’d be no one else like her. If given an opportunity to go back and change a few things here and there or, you’d do it over again, mistakes included. Last night was worth all the waiting and teasing. 

“So—about that show,” you lean up, pushing her closer to your face, “What was it again? Something about you being a nymphomaniac? Delete what?”

“You mean Delete This? Let’s not.” 

Mention of the premise alone is enough to set her gummy cheeks on fire. For someone whose career has been built up on mostly more general audience friendly programming, leading a sexual soap opera is quite the jump.  

She buries her head on your neck, embarrassed, feeling guilty. “Yeah. I mean, last night was—different, you know? I’ve shown my tits and body already, but I’ve never had sex—on screen before.”

You should have known. She needed a reason to get in your pants without your working relationship only centering around your bodies. And those were clearly stand-ins based on how her face is never shown during her older scenes.

“Jesus, Hyem. If you wanted to have sex, you could have asked anytime. You have no idea how annoyed I was when they scrapped our scene last minute. It was only you taking off your shirt too.”

“On the bright side, we didn’t have an intimacy director getting in the way, right?”

She does have a point. Still, your personal cold war didn’t need to last 18 months before either of you would make the first move.

But with all that tension a thing of the past, the chains are unfettered. Now both of you have the ability to take this little secret in any direction you desire. You could simply be a workplace couple; it’s been the story of your year so far. Or you could take things a step further. The possibilities are truly endless.

Hyewon’s cheeky grin slowly reforms, her hand snaking up to cup your cheek. “Shame we only had one night. I could spend the rest of the day here, but—” she huffs, “I’m running late. Too bad I won’t get to have this cock for a long, long time.”

You lift an amused eyebrow, barely able to keep your new cockiness from showing. “Will you, though?”

She’s taken completely by surprise. “What do you mean?”

“Check your phone.”

After rising to her feet, Hyewon walks over to the console table where her purse is set. Fishing her phone from the handbag, she scrolls through the apps, her attention di–vided between the screen and you on the floor, finally getting up as well. 

Her stare then lingers on the phone, as if whatever headline of the day has caught her attention. 

Next thing you know, she’s grabbing you by the chest, dragging you back to the bedroom before shoving you back onto the mattress—right where you belong. Pinning you down and dead to rights, Hyewon mounts herself on your lap, your cock pressed against her aching core, ready to receive a fresh beating.

Some jokes can go a little too far.

“You fucking asshole. You mean that—”

“Yep.”

“And it’s not—”

“It’s not.”

You can feel her hips slowly grinding against yours. You’re gonna love—and hate—the next 18 months with Hyewon.

“I’m going to kill you. And I mean: kill you.”

“No better way to go out.”

—————

(A/N: Thank you for the commission! That Hyewon dress is so ripe for material, and I had to incorporate her tattoos into it somehow. She doesn't show them quite often—heck, she hasn't publicly addressed them even once, I believe. That little nod at the end is for everyone still waiting for Delete this to return. At this point, a reimagining or remake must happen first before the next actual episode because good God my writing back then versus now is night & day. Even comparing the last update from 2022(?) to today is also radically different in style. I'm still interested in reviving it; it's just a matter of when, not if. Thank you for reading!)

[buckleybltch]

Why Tommy is Different to Buck’s Previous Love Interests

and Why it Doesn’t Make Sense.

This is going to be a long and (primarily) impartial post intended for all audiences, whether you like Tommy or not. However, this is not the blog to be airing grievances on. I’m not here for that. I am going to put some opinions of mine through here, but that’s all they are, and I’m going to try stick with facts with a side of interpretation. And Please, for the love of God, read till the end before commenting.

If you want to think I’m nitpicking then go ahead, but every scene of this show gets analysed to death and back for varying reasons. This will be no different.

The Hospital Scene

For the first time, we see one of Buck’s love interests sitting with the 118 at the hospital while they wait to make sure one of their own is okay. In regard to the group chat that appeared on that scene, form your own opinions. We don’t know if Karen or Maddie is in this group chat either. Opinion: I personally don’t think it’s that unusual to have a work group chat, and I also think Bobby showed Athena his phone. I don’t believe that was meant to reinforce the idea that Tommy is an ‘outsider’- if he was an outsider, he wouldn’t have been at the hospital altogether.

Never before has a LI shown up for the 118 at the hospital with Buck. Ali and Abby turned up at the hospital for Buck because it’s him who was hurt, and Taylor was at the hospital with her camera man for the story (s5 May Day). When Eddie got shot, Taylor showed up at the hospital because she thought it was Buck who got shot. Tommy showing up is a unique situation- they were sat in their civvies as a group in the waiting room, and Tommy is there with Buck for Denny. Tommy was part of the 118 waiting room crew; we’ve never seen this before; Buck’s partner showing up for his team(family) at the hospital.

The closest we’ve had before is Abby showing up to Chimney’s return to work party, but at this point they weren’t actually together, and obviously Chimney was okay by this point, it’s not a hospital scene.

The Firefighter Life

When Ali breaks up with Buck, she says it’s because she can’t handle the firefighter life, waiting for him to get hurt. She says it’s not what she wants. This issue isn’t present with Tommy because he is also a firefighter. He knows what he signed up for with Buck, he’s perfectly and intimately familiar with the risks they take everyday and the risk of getting hurt. While it’s a perfectly reasonable assumption that this might still be an issue to some degree, no one wants to see their boyfriend getting hurt after all, they both understand the life and what it means. Tommy solves the reason Ali broke up with him.

The Bobby Approval

This one is a key one. When the scene first aired, I strongly believed (and still do) that this line was also intended for the audience. We have Bobby’s explicit approval of Tommy as a person and for Buck. He’s good people, he’s good for you.

Bobby and Buck never spoke about Natalia or about Ali. I hold the belief, like many, that Bobby never particularly liked Taylor because of how she tried to exploit Bobby in season 2. However, Bobby did help Buck decide on a Christmas gift for Taylor and vice versa. Yet, he never said on screen that he thought they were good together. Hen and Chimney do also come to Taylor for help (s5) with Jonah, but even in that scene they’re shown to not trust her with what they’re telling her.

Abby is more complex as she was a main character in season 1 and her relationship with Buck was a full-season arc. Bobby helped Buck tie his tie and gave him genuinely good advice before their date. Bobby even talks to Buck about having a serious relationship and how to handle it, about how to treat her with respect. Other characters definitely aired their reservations about Abby in season 2 (Is it the age difference? More like the time difference). I believe Bobby gave his implicit, but not explicitly said, approval of Abby through the way he treated and spoke to Buck about their relationship. Despite this, I do think it’s poignant that for the seven years after Buck and Abby broke up, we never saw Bobby approve or like another one of his relationships until Tommy.

The Future Talk

In 8x06, Josh straight up asks Buck if he can see a future with Tommy. This of course follows up Josh already asking “do you care about him, do you think about him when’s not around”. The discussion between Josh and Buck is unique, because Buck has never spoken to a friend about this before. His relationships with Ali and Natalia weren’t developed or long enough to warrant the discussion, he never talked about the future with Abby, and he said “no” at the prospect of proposing to Taylor. For the first time, Buck is asked on-screen if he sees a future with his romantic partner, and Buck says yes. This is explicitly said for the first time. Yes, he made a confused face when Josh asked if he loved him, because clearly Buck hasn’t given it that much thought until he’s confronted with it. Either way, Buck, for the first time, says he wants a future with his romantic partner.

This further prompts Buck to ask Tommy to move in with him, which, different to his motivation for asking Taylor to move in with him, is fuelled by wanting a future. Buck even brings up marriage in his discussion with Tommy, which he’s also never discussed with a romantic partner on screen before. The content of both discussions is something we haven’t seen Buck talk about or admit before.

Eddie Friendship

All of Buck’s love interests, bar Abby, have screen time with Eddie. However, Ali and Natalia only share screen time with Eddie when they first meet because they meet on a call. As Buck’s girlfriends, they don’t share screen time with Eddie.

Taylor once has dinner with Buck, Eddie, and Christopher, and she compliments Eddie’s cooking. Correct me if I’m wrong, but I believe this is the only main time they’re seen together. It’s civil, it’s fine. However, they aren’t friends.

Tommy is a unique situation again; because he’s a guy, it might be easier for Eddie to form a friendship with him. They’re very fast friends, they do Muay Thai together, Tommy works on Eddie’s car, they play basketball together, Tommy went to Eddie’s house 3 times in two weeks and met Christopher. Christopher likes Tommy, he thinks he’s cool, and Eddie invited Tommy to Chris’ virtual birthday party. He’s the first love interest to not only get along with Eddie, but become friends with him outside of Buck (emphasised by 7x04 where Tommy tells Buck that his friendship with Eddie has nothing to do with Buck). The show makes their friendship very clear.

I’ll fully admit that Eddie’s friendship with Tommy was needed for the plot in 7x04, but beyond that, why was it relevant? It already made Buck realise he wanted to be with Tommy. They might’ve needed it for a plot reason but they’re friends afterwards too. Maddie calls Tommy “Eddie’s friend” in 7x05 and they’re laughing together in the hospital and getting alone fine in 8x05. Why?

Fitting Into Buck’s Life

Of course, this all culminates by saying Tommy fits into Buck’s life extremely well.

Tommy doesn’t have to go through the awkward phase of meeting all of Buck’s friends, because the only one he hasn’t met is Eddie. Tommy was previously friends with Bobby, Hen, and Chimney, they already know him. He’s already met Athena. Sure, they might have some catching up to do, but they already have a good history. They’re familiar. Again, Tommy already gets along with Buck’s friends outside of Buck.

Why was Tommy at the hospital for Hen’s son if he wasn’t integrated? Why feel comfortable going to Maddie and Chimney’s wedding? Even Buck makes the point of saying that Tommy is already going to know everybody there; he’s not just his date, he already knows them.

Tommy is friends with Buck’s friends already, Tommy understands the demands of being a firefighter and what it entails with the risks and the commitment. Tommy understands Buck’s friendship with Eddie and Christopher, and his dynamic with Bobby.

Intention (Conclusion)

This is all to say- this is intentional. If the point of the relationship was always to breakup, why have Tommy included in these scenes? Tommy didn’t need to be there at the hospital for Denny, but they wrote it in for him to join the 118 waiting. Bobby didn’t need to give his approval of Tommy on screen. It didn’t further his relationship with Buck nor the plot. It was written this way for a reason, and I think anyone can admit the actual breakup in the scene was abrupt, and it’s all of the above context that makes it even more abrupt.

I know it makes his relationship with Buck more meaningful, sweeter, more heartbreaking for Buck, but we never saw these moments with his ex girlfriends, particularly Taylor, and their relationship was solid until it wasn’t. If this unique treatment of Tommy was meant to put Buck through heartbreak then I offer a second question: what is coming up for Buck that requires him to go through heartbreak?

Why go through the effort of writing Tommy to fit in so well with Buck’s life if he’s only there to further a plot? None of Buck’s other LIs were treated like that, and they achieved the plot they needed to. So why was this different? Buck’s relationship with Taylor was a lot longer, and they lived together, but we never saw these types of scenes with her. Why? Why was this different? What was the point of making the relationship meaningful and different?

Again, this post is not here for people to argue. It should be clear to everyone, regardless of why you think so, that Tommy was treated different by the show than Buck’s other love interests. There must have been a reason, even if that wasn’t clear. Is something big coming up for Buck that he needed to be heartbroken for? Is it poor writing? Is Tommy coming back? There must be some reason that Tommy was treated differently by the writers other than “just because”.

[wilcze-kudly]

Something I've always loved about atla is how it handled scars, particularly Zuko's facial scar and Aang's lightning scar.

I've probably spoken before about how, as a burn victim with a ton of skin grafts on my legs, torso and hand, Zuko really was the first character "like me" that I saw on TV. It was, as you can guess, quite a momentous moment for kid me. Which is probably why I'm so disheartened on the live action show shrinking and toning down Zuko's scar significantly.

Too often scars, especially burn scars are seen as gore or body horror and too graphic to be seen on TV that isn't horror or related genres. And often scars, especially facial scars are reserved purely for villains and are used as a signifier for 'evil'. A trope that you'll find is still alive and kicking even today even in big franchises.

And while Zuko does reinforce this trope to some extent, I think it was subverted enough for it to have irs own merit. Atla also steers away from the scars=evil narrative, by having a lot of "good" characters have scars too like Bato and Song. This helps destigmatise scars as a whole, making Zuko's 'scarred villany' seem like a more individual case.

In Atla, scars are more the trademark of victims rather than villains and this rings true for Zuko too.

Zuko is a victim of the Fire Nation in the sense that the Fire Nation's values of war, strength and honour facilitated Ozai's abuse of him, particularly the scarring.

Zuko's scarring does follow a very established trope of a son being scarred by a father, which is surprisingly prevalent, especially with burn victims. Seriously I collect these men like pokemon. This tropiness isn't a bad thing, since I think it leads to us very quickly sympathising with him. I certainly did, since his experience mirrors my own.

The scene of Zuko's scarring is also particularly special, due to it being rather unique, because it isn't quick or an action scene, nor is it shown as an overly gory horror scene, despite it being, well, horrific.

It's... tasteful. Or at least, as tasteful as the scene of a child getting scarred by their father can be, I suppose. It doesn't linger on the violence, but also doesn't sugarcoat it. The scene of Zuko's scarring, and the events leading up to it also give us a good exposition to his better qualities, like his compassion, and a good explanation for why these qualities stay buried.

I can understand why some people in the fandom believe that Zuko's scar symbolises his 'worse side', but I actually believe its the opposite. Very often, when a character has a 'split down the middle' type of scar, their scarred side represents their worse half, like with Two Face from DC.

Because Zuko's scar doesn't symbolise his allegiance to the Fire Nation, it symbolises the fact that he failed to live up to the Fire Nation's standards. It's a physical reminder of the time Zuko actively defied the Fire Nation's standards and mindset.

We get a lot of nods to Zuko's scar aymbolising disgrace and failure to uphold ehat the Fire Nation expected of him. It's literally a physical blemish upon his 'honour'.

This is especially noticeable when Zuko's appearance is contrasted with Ozai, who exists as sort of the human stand in for the Fire Nation's imperialism. For most of the show, we are not shown any of Ozai's features, his face being obscured by shadow or out of frame.

We finally see Ozai's face, it's when Zuko is seeing hik for the first time in years. And Ozai looks so similar to Zuko. An unblemished, perfect, complete Zuko, so to speak. In Zuko's fever dream, where we see an unscarred Fire Lord version of Zuko, he looks exactly how I imagine a younger Ozai would look. I also love that Zuko's adult design seems to lean into this similarity.

Furthermore, Zuko's scar is used time and time again as a way he connects with victims of the Fire Nation. People who don't know him, like Song and Jet, assume him to be another victim of the Fire Nation, citing his scar as the reason why. Which is half true, Zuko is a victim of the Fire Nation, just not in the way they think.

Jet: I think Lee would make a good Freedom Fighter. He's just trying to find his way in the world, like us. Smellerbee: You don't know anything about him, Jet. Jet: I know he didn't get that scar from a waterbender.

One person who doesn't connect to Zuko over his burn scar is Katara. I love the scene of Katara and Zuko in the crystal catacombs. It's a profound scene and one that always makes me a bit emotional, especially in the wider context of atla, a subject I've touched on in this post.

However, the handling of Zuko's scar in this scene is especially dear to my heart. I strongly remember that, when Katara offered to heal Zuko's scar, I actually got scared and upset. I was terrified of Zuko's scar being erased, of the connection I felt to him snuffed out and one of the best parts of his characterisation being erased.

But that's not what happened, and the scene is amazing on that front and all others.

We learn that Katara asscociates Zuko's face with the Fire Nation, which makes sense, since he's been kinda clingy for the entire 1st season. Katara denies it having to do with anything with Zuko's scar.

Katara: It's just that for so long now, whenever I would imagine the face of the enemy, it was your face. Zuko: My face? I see. [He touches his scar.] Katara: No, no, that's-that's not what I mean.

The Katara lover in me believes her. As a a member of the Sothern Water Tribe, she probably has seen many burn victims. And her pursuing healing would also probably lead her down the route of normalising and understanding burn scars.

However, I would not be surprised or disconcerted if the scar did have something with Katara perceiving him as a villain. After all, to a lot of people, scars and "ugliness" denote moral ugliness. The very obvious fire asscociation probably doesn't help someone traumatised by the Fire Nation too. It is a sad fact of life that even those who know better subconsciously react to people with scars and other "deformities" with disgust and distrust.

We also see Zuko explicitly give us the rundown of his previously unspoken struggle with feeling like his scar is defining him as a person.

Zuko: It's okay. I used to think this scar marked me. The mark of the banished prince, cursed to chase the Avatar forever. But lately, I've realized I'm free to determine my own destiny, even if I'll never be free of my mark.

This is something I can relate to as someone with prominent scarring and I'm sure we all sometimes feel defined by things outside of our control. Sometimes It's hard to seperate your identity from your appearance. And it's even harder to seperate yourself from events that influenced you so harshly.

As I previously highlighted, Zuko's scar relates strongly to his failure to adhere to the Fire Nation's ideals and conventions, his failure to be the perfect prince of the nation. And while to us, that is a good thing, to Zuko, at least at first, that is a very, very bad thing.

To Zuko, the scar is a symbol of his flaws, and a just, if not harsh punishment for his percieved transgression. He sees it as a brand, denoting his mistake and shame. He sees it as the physical manifestation of what his banishment and scorn from Ozai means.

It's only when he begins growing as a person away from the Fire Nation's influnece, that he starts to realise that the scar is just a scar. It holds no power over him. And while he relapses for a moment, "demystifying" his scar allows him to do the same to the event of his scarring. It allows him to look back at that moment and not see righteous discipline, but rather see it for what it was and go "hey wait a minute that was actually fucked up.". Which allows him to look at The Fire Nation's conquest of the world and go "hey this is also fucked up.", when the lessons he's learnt in the Earth kingdom finally click.

I believe this is why we see Zuko almost purely from the side of his scar in the scene where he confronts Ozai, especially when it's contrasted with Ozai's unscarred eyes.

Zuko's scar, like many scars in fiction, symbolises imperfection. But rather than an "objective" imperfection, as most fictional scars do, Zuko's scar symbolises his imperfection through the skewed and biased eyes of the Fire Nation. It's a nice subversion of the trope that usually encourages us to equate beauty with goodness and ugliness with evil.

Side note, I know I've been using the terms "ugly" and "ugliness" to talk about scars. I just wanted to note that I don't think scars automatically mean someone isn't attractive/scarred people are ugly. But in a lot of media, scars are seen as gross and ugly, which is why I've been using these terms.

I like that Zuko defies this trope by being drawn as very attractive with his scar, and even being seen as desireable in canon.

Even though it does loop back to the 'attractive=good' symbolism, I don't think it totally invalidates the story Zuko's scar is telling. Plus it WAS an ego boost to child year old me who thought no one whould ever love me bcs I looked like a burnt chicken nugget. So I'll let it slide.

I love Zuko's scar, and I love how it seamlessly fit into the story, while also subverting tropes and invalidating stigmas towards scarred people. It's probably one of my favourite, if not very personal aspects of the character.

I do however, also want to analyse and go over Aang's scar from Azula's lightning and I plan to go over it at a later date, since this post is getting a bit long and overwhelming.

Toodles!

[controlsy]

These are the main characters of the story! A Spinch scientist in the mountain town of Ragus Kaep named Dr. Hawk wanted to do something no scientists had ever done before, which was create an entirely new form of life. Though he succeeded, it didn't go how he thought it would.

His intentions were to make an ESPer robanthry who could take in every piece of information imaginable. Verge N. 1 was his first attempt at this. Verge is effectively a "technology ESPer" which means he can read all data from every piece of technology. As an example, looking at a phone he could read through its entire message history, its browsing history, every app it has, every contact, and every voicemail. However, unlike regular ESPers, he cannot read the intentions behind messages that are sent.

Hawk considered Verge to be on the brink (or verge) of success, but not good enough, so he created Verse N. 2, who was the second attempt. Verse is exactly what he wanted- he can not only read technology, but also the minds of regular anthries and every living thing. Verse is, quite literally, the most dangerous thing that has ever lived on Spinch.

Hawk's intentions were bad- he wanted to use them for evil gains, but he didn't anticipate how much free will they'd have, and instead of being able to use their abilities for wrongdoing, he simply puts them through testing and tasks and experiments to see what they are capable of. He controls their lives.

Verse resents their creator because he doesn't view either of them as actual people, and he's full of bitterness and anger. Verge doesn't like Hawk either, but he also has a SERIOUS complex about the fact he's literally the "failure" of the project, while Verse is the "success". Verge and Verse are also technically the same person in their programming- Verse is simply an "improved" edition of Verge. Hawk just built them with different appearances to differentiate them. Both of them also have huge identity issues and want to be their own people and don't like that they're the same person... at least most of the time, when sometimes Verge falls into the wish that they WERE literally the same because Verse is "better" than him.

ESPer robanthries are different from regular anthries in one major way. They have the ability to control their powers instead of it being non-stop and un-mutable. One aspect of robanthry biology is the fact that, since they are computers, all of their "senses" are just programs, so they can turn them on and off. They can turn off their hearing, their sight, their voice, or their sense of touch at any time. The ESPer sense is technically just another program, so they can turn that off too.

I hope you guys like them!!!

[rin-solo]

Finally, I am happy to present to you my ...

EPIC: THE MUSICAL | ACT I [Character Design project]

I have been working on these for a long time and I am very happy with how these turned out. I am a huge fan of visual character design and I simply needed to do a full lineup.

Act II will follow shortly (it is all done except for Ithaca Saga, which I will add as soon as it drops.) Please enjoy, and read below for some thoughts and background on some of my design choices!

TROY | CYCLOPS ft. Odysseus, Athena, Eurylochus, and Polites

With Odysseus, I really wanted to emphasize his free spirit in this era and mark him as Athena's warrior, so I gave him a special belt and some armbands that represent her (this was inspired by some of @mircsy's work). He also has heterochromia; his left eye is green, representing his cunning, wisdom, and spirit; his right eye is gray, representing his ruthlessness and warrior side.

I simply love Athena in purple/gold. Her mask is a symbol of her invulnerability and comes off only during "My Goodbye" when Odysseus tells her that she's alone. Her cape can also transform into wings, and her eyes are actually golden without the mask.

I had to give Eurylochus his large anime sword (it's just as heavy as it looks but he likes it that way because that means no one besides him is strong enough to wield it ... I imagine Eurylochus can bench press at least Odysseus' and Polites' weights combined. He and Polites are also wearing variants of Odysseus' armor, indicating that they belong to the same army.

Listen, I can vibe with Eurylochus' giant sword but I draw the line at Polites with glasses, sorry. He still gets the hairband, of course. He's also dressed more casually, and without a weapon, because of his pacifistic outlook. He's the physically weakest among the trio by far but also still an inch taller than Odysseus (it's fine, Odysseus is still like 5'10, his friends are just all so freaking tall...)

OCEAN ft. Aeolus, Poseidon, and Odysseus

Not gonna lie, I LOVED designing Aeolus' outfit. She's playful and mischievous and loves to hang out in the clouds all day; her outfit is probably made out of clouds let's be real. Also yes, her image on the windbag moves to make cheeky faces.

Poseidon I cannot imagine without tentacles anymore thanks to @gigizetz's "Ruthlessness", idk it just fits him so well. He definitely got all dressed up to go and sink Odysseus' fleet that day, he has a reputation, you know? And he just likes the shiny gold and accessories; the ocean is full of them so why wouldn't he?

Since breaking up with Athena, Odysseus lost her belt and armbands. He's still wearing her brooch because he couldn't bring himself to fully throw that away as well yet. Polites' hairband around his wrist reminds him of what he's fighting for and what to live by ... for now (Poseidon is about to ruin this man's whole career...)

CIRCE | UNDERWORLD ft. Circe, Hermes, and Tiresias

I wanted to give Circe the "witch" vibe while putting a Greek spin on it and I actually adore her design. She seems both immortally youthful (something I aim for with all my god designs) and motherly. There she was, gathering some herbs when a bunch of strangers crash onto her island ... Oh well, at least this man was a good man this time.

Hermes is kind of just Hermes. I wanted to keep him shaded, a bit impish, and definitely up to no good. He's wearing the contrasting colors on purpose, by the way. And yes, his hat can fly on its own ... But for it to do that he'd have to actually be willing to show his face which he seldom does unless he really trusts you.

Tiresias is a soul, so he has the same kind of ageless youth as all my gods (something that goes for souls of dead people too, since I like to think they get to appear at whatever age they want after death.) He's looking a bit regal since he's a prophet, so I imagine regarded highly, even in the Underworld. Instead of the blindfold, his hood covers his face, adorned with a symbolic eye to identify him and his skill.

***

Well, that's it for ACT I, friends, I hope you liked these! I will upload ACT II asap. Please comment and/or tell me your thoughts about my designs! And feel free to ask any questions you may have! I would love to talk more about these.

[graillore2point0]

Sadly, I'm too afraid of getting abandoned by everyone I've ever known over this, but I suppose that's what the hornyblog's been for from the beginning.

I wholeheartedly agree, to start things off. Gushing is a series that truly, well, gushes with love for Magical Girls as a genre and a concept and wants to explore it. To deepen what a Magical Girl is without actually subverting it beyond the obvious of Utena as a protagonist.

I am someone who can and will wax poetically about the themes and characters of Madoka Magica and while I'm generally too afraid of consequences to give Gushing the honour it deserves I very much want to do the same.

Now, a lot of the backlash against Gushing is over the ages of the characters, with everyone so far appearing in the anime being 14 other than Lord Enorme at 20 and Korisu-chan at 9. (The Shio-chans don't really change this, though they're 17.) People are getting up in arms over this.

Now, beyond presenting them with the obvious issue of writing a story about 'coming of age' and self exploration as a teenager (When most people start getting interested in such things) without having the main characters, you know, early teenagers, as it would not at all work as well with them above 18 due to various factors...

There's also the fact that Gushing is far from the only series presenting young girls in such a way? It's just actually open about it, and does it in a far kinder way than typical as well.

Gratuitous butt and boob shots, random slips and upskirts, hells even Magical Girl transformation sequences typically depict characters cloaked only in an unnatural light. It's a staple of comedy, slice of life, school and more action oriented genres (Look at BnHA, the average Isekai, the entirety of the Gacha Game scene, even many well recieved Magical Girl series).

(Also where are they finding these 18+ not secretly ancient anime girls? Grab ten of them and six will be 14-17, three 100-10000, and if you're lucky the last is 22 at the very oldest.)

Anyways, back towards topic, it comes down to this perception that to make or watch something that at all depicts younger characters in a more overtly sexual light is some unforgivable sin. That anyone who does is a pedophile biding their time (Which is a whole other matter they probably need to introspect on) who'll act at any moment to bring their depraved tastes into the real world. I could talk more about that in particular but not now.

The thing is it's not. It's not something morally wrong to watch or write something like Gushing or Prisma Illya. These are, in our world, fictional characters. They do not have an age, they do not have an observable will, they are not real on our dimensional plane, to watch or draw or write about them does not harm them in any way.

It's this... Christian puritanical obsession with everything needing to be Clean, to be Acceptable and Uncontroversial. It demands that nothing is explored, that nothing is considered, that nothing is made without first being judged Pure by the twelve most Racist, Homophobic and Misoginistic people on the planet.

I feel like I have more to say but I'm running out of steam so I suppose I'll call this here for now.

So, Gushing Over Magical Girls Is The Best Thing To Happen to Magical Girls

Gushing Over Magical Girls get this bad rep. For all the wrong reasons. I’ve seen it be called an insult to Magical Girls, I’ve seen it be called “gooner bait” a term I absolutely despise but that’s a thing for another day. I’ve seen it insulted for everything and anything under the sun.

I first got acquainted with it when I was scrolling through Twitter and I saw someone complain about the PV. However, as an avid Magical Girl Fan, I wasn’t disgusted. I was intrigued.

I decided to read the manga, and oh god.

This is one of the best things I’ve read.

The story follows Utena, a shy girl that loves Magical Girls, tricked to become the evil general that will defeat the Magical Girl team “Tres Magia”.

And it’s a delight.

I binged all the episodes available to me in the manga, and had fun in each and every chapter.

The same, however, couldn’t be said by half the people who watched the anime. And I was extremely baffled. As a queer woman, this was the first time in my life, in which I had seen something so deliberately catered towards me. I saw tell-tale signs of someone who genuinely admires the genre, and is simply using it as an outlet for exploring deeper and more interesting topics that a SFW version of it would not be able to.

Yet, I turn around and I see people calling it the most horrendous stuff, and accusing everyone who likes it of being monsters or men.

Genuinely, I’ve had enough.

Gushing Over Magical Girl is not the Devil. In fact, I think it’s the best thing to come don’t even like Magical Girls AND IT SHOWS.

PART 1: “Magical girls are for little girls!”.

The first criticism you’ll see aimed at “Gushing over Magical girl” is the amount of sexually charged content it has. And it is true. It borders on straight up porn in many instances and it just gets wilder as you go on. By chapter 30, we’re way past PantyShots. Like, I’ve seen some of these girls’ vaginas, and I’m not joking.

Personally, I don’t see anything wrong with it, but there’s people who might disagree.

“Magical Girls are for little girls” some people say “and you’re corrupting it!”

Which genuinely makes me laugh.

This is because this type of argument could only be done by someone with no real concept of Magical Girls aside from maybe Sailor Moon and Sakura Card Captor.

out of the Magical Girl genre in a WHILE (Ignoring Precure, because they just gave us a magical boy and that’s my win of the decade).

People are just, you know, stupid. And reactionary. Enough that they see a boob and lose their minds like a Karen at a Christmas Eve Mall.

My point is, I love this manga. And I’m willing to risk my reputation to defend it. Cause genuinely, half the people who are clutching their pearls over this show - Magical Girl Anime haven’t always been PG, or aimed at girls.

Cutie Honey is a great example. It’s one of the most famous Magical Girl Anime you will find - and it’s a shonen. With the protagonist, Honey, being constantly naked, groped, put in suggestive situations and have outfits that show her cleavage.

And it’s one of the most famous, most popular takes on Magical Girl there is. Yet, I never see any amount of outrage towards it. (Part of me wonders if it’s because the fan service is aimed at men, rather than involving yuri).

There’s also Lyrical Nanoha, one of the most popular serial franchises there is. It spans several seasons and spinoffs, and it’s beloved by many.

And it’s aimed at older men. Yes, it’s a Seinen.

In fact, its origins are far from PG. It’s actually a Spin-off of an erotic game named “Triangle Heart”. It was most definitely not created with little girls in mind, and themes it tackles reflect as much.

There’s Fate/kaleid liner Prisma Illya too, a spinoff of the Fate/Stay Night VN, very obviously aimed at older men, it’s a Seinen. It has a lot of fanservice and scenes where the characters are half naked.

Day Break Illusion is also a Shonen.

And as much as I adora Madoka - I’ve been stating for years now that it isn’t a show meant for little girls. You could argue it’s for everyone, regardless of gender, who’s a little older. But it most definitely wasn’t for little girls.

So, no. This was never an “only girls” club. Trying to paint it as such, is not only wrong but ignorant.

Magical Girl shows can be for anyone. Men, boys, girls, women and I find it infantilizing to consider it “only for little girls”.

No one says “super heroes are ONLY for little boys”

Well, some do. But they’re, you know, bigots. Who don’t want girls playing or adults o have fun.

So no, Gushing Over Magical Girls being a sexually charged anime in the Seinen category isn’t “corrupting the genre”. In fact, I would argue it’s doing exactly what the genre has done in the OVA shadows for a while.

Not to mention, many people have screamed from the rooftop how they want “more mature Magical Girl shows” referring to the success of Madoka. But as soon as an actually mature take on Magical Girls shows up, tackling issues of sexuality and love, you all don’t want it anymore.

(We all know why, though. Americans, and western culture in general, considers mature themes, only that which involves violence. Anything close to discussing issues of sex is no longer “mature” but “Pornographic” and deserving of being shoved into a corner. With all queer themes, gender studies, and any nuance that could be had regarding these issues).

And speaking of sexually charged, have you watched so called “wholesome” magical girls? They’re still very much sexy. Not in the “on the nose” ecchi way Seinen and Shonen are - but they still are.

You’ll find transformations were the girls are naked, zoom in to their breasts, you’ll have panty shots every now and then. Even themes of growing up, having crushes, and innuendos about sex. Inappropriate relationships, taboo romance, and the likes.

Sakura had Rita and a professor’s relationship (mutual in the manga), Sailor Moon had Chibiusa and Elliot’s romance, Sugar Sugar Rune even having an element for ‘lust’ and other different types of love, and let’s not forget Mermaid Melody which has several instances of the girls naked, in compromising positions with other men. And I’m pretty sure Tokyo Mew Mew likely opened a whole bunch of doors for girls to be into CNC.

This is, by the way, normal.

Completely so.

These stories often talk about the girlhood experience. And girls and teenage girls are interested in all of these things. They’re interested in sex, romance, their bodies growing up, their own sexuality and the likes. It’s no wonder same-sex relationships and romance get included, they’re part of what experiencing the world through the eyes of a young girl is like.

And subsequently, it stands to reason that as people who engaged with MG grow up - they find comfort in exploring their sexuality through Magical Girl themselves. There’s a reason why there’s a growing section of “Magical Girl” in your local hentai site.

“Men get off on corrupting this wholesome girl targeted genre” is actually TERF rhetoric sneaking through the mainstream. It ignores AFAB ppl and gender nonconforming people, who grew up with Magical Girls, simply using a medium that originally started their journey of sexual identity, to explore more “grown up” aspects of that same identity.

In particular, I’m a Cis AroAce Woman. I wrote a lot of Magical Girl NSFW when I first started writing NSFW Twitter threads. They’re bad and they’re cringey. But it was something I needed.

Magical Girls were a huge part of my childhood and early teens. When I was mentally in the space to want to engage with NSFW content: it was obvious I would turn to what first sparked excitement.

So this idea that “men are corrupting Magical Girls with their sick fantasies” is nothing more than TERF-lite propaganda. People, including women and men, have been doing this for ages; for a variety of reasons. And doing so, doesn’t rob children of their spaces - but the gentrification of the internet is a story of another day.

The other argument I have heard is that GOMG is a mockery of the genre. Which is even more laughable in my opinion.

PART 2: Parodies and why I hate Earth Defender’s Club.

Gushing Over Magical Girls loves Magical Girls. It’s a parody, in a way, but it knows very well what it parodies. It’s not surface level in the slightest. And it absolutely is not mean spirited about it.

A lot of the time, shows that reference and parody the Magical Girl genre, do so in ways that feel like they view it as a lesser genre. They take generic images of cute girls in frilly outfits, swap the colors around, and have them chant over-the-top spells. You’re meant to laugh, not only at how silly they look, but people who would love it. Especially if they’re grown ups.

I do not like “Cute High Earth Defense Club LOVE!” For this exact reason - even tho many people praise it to all heavens.

Because

1) It feels surface level in its commentary and depiction of Magical Girls and

2) More mocking towards the genre than paying homage or doing anything with it.

The continuous use of the word “Love” is a very obvious jab at Magical Girls using these words, which feels mean spirited just for the sake of it. Their outfits are almost exactly the same, save for the colors. And they all use the same sticks as weapon, with no thematic link for the shapes of the scepters. The mascot too (a wombat for god knows what reason), I think it’s meant to be a joke of some sort for how ridiculous some of the mascots for the girls get, which rubs me the wrong way.

In general, it feels shallow and mean spirited. But no one calls this an insult to Magical Girls. Because people who like it don't actually care about Magical Girls. They see cute boys doing silly things and love it. Which is kinda sad.

Now, Gushing Over Magical girls has sort of that same problem on the Tres Magias…But they’re not the protagonists. And even then, in later chapters, they get power ups that are different in design, and thematically linked.

The protagonist, and the ones we follow, are Utena and the girls. And they all have very distinct outfits, all with motifs that are tangentially thematically linked, and speak of each character’s personalities in interesting ways.

Utena in particular has THIS outfit. Which a lot of people don’t like, but I actually do.

It’s very obvious it’s taking inspo from other iconic Bad Girls in the genre. Namely, Utau, Kraehe and Devil Homura. All “Enemy characters” that have unhealthy obsessions with other characters. In particular, I think the wings and the feathers resemble Homura - THE character known to have a massive obsession with a Magical Girl (Madoka), to the point of insanity.

There’s also Magia Azure. Who’s a clear reference to the Mean Tsundere girl that is iconic to the genre. She’s also a Miko. Which is a callback to Sailor Mars, arguably THE girl who popularized this archetype.

I also love what they do with the mascots. Unlike Earth Defenders, where the mascot is you know, a mockery of the archetype of a mascot - useless, only there to give power ups, and obsessed with food - the mascots of GOMG is taking a book from Madoka.

It considers the mascots both all-too-powerful and yet limited in their reach. Which is exactly what the mascots have always been in Magical Girls. Beings so powerful they can give mythical powers to girls, yet helpless to do anything on their own. So, they use magical girls as a vehicle to achieve their goals. Most Magical girls try to paint this as a good thing, but newer genres shine light on how dangerous that can be too.

Madoka tackles it with Kyubey as the main initial mascot, only later to turn out to be the villain of the series.

And in a Post-Madoka world, trusting the mascots is just the slightest bit more difficult. That’s why, from the get go, GOMG portrays their mascots as morally corrupt. He’s not a good character, he’s malicious and doing more harm than good. But for the majority of the series, he’s painted more as a useless harmless evil than anything genuinely terrifying or worthy of concern. The attention is focused on other things.

But I love the way that it’s heavily implied that they’re not good. It’s a very interesting take on the mascot and it helps with the themes of the series. Which yes, by the way. Gushing Over Magical Girls has themes.

Which lead me to-

Part 3: Yeah, uhm, Gushing Over Magical Girl has themes.

There’s this idea that Sex is an inherently violent act. In which a man humiliates and sodomizes a woman, and therefore the woman is exploited in some way. And 10x worse is any act that involves BDSM. It’s violence; born out of hatred.

This is TERF rhetoric. I’m not joking. This line of thought leads directly to TERF ideas.

Many on the internet have pointed out as much, and BDSM members have gone to be very vocal about it. In particular, people on the role of the submissive (or the bottoms) are loudly trying to explain the contrary. How they like the act of sex, like the idea of being vulnerable, or being humiliated. There’s also plenty of LGBT+ stories that talk about it, both in western and eastern spaces. Just jump into the section of dom/sub verse at your local manga browsing website, and you’ll find something.

That said, the same is not as common for people who like to “dominate”.

I can only think of two pieces of media that argue that, whoever is the dominant or the sadist, is also a human being. That whatever they’re doing is done, not out of hatred for the submissive or an act of violence, but love.

One, is the husky and the white cat. In which Mo Ran, among other things, has to come to terms that his love isn’t “pure”. That he cannot love someone without the want to have sex, and to completely dominate that someone.

The second one is Gushing Over Magical Girls.

It’s very clear to me that Utena’s sadism isn’t a violent act. It’s an act born out of love. She genuinely loves the Magical Girls, and most girls for that matter, and whenever she is inflicting pain and fighting with them - what she wants is to ultimately help them in some way.

She wants them to “be the cutest version they can be” and wants them to shine brighter than ever.

There’s this one scene I love, around chapter 20, in which Baiser (Utena) is fighting Magia Azura. And due to Baiser going a bit too far, Azura ends up being Mind-broken. She crawls towards her, calls her “mistress” and begs to become her servant.

In any normal Hentai you’ll find, this is a good thing. This would be the ideal outcome. A character being turned into nothing but a sex slave for the enjoyment of the dominant.

Which is why I found it breathtaking when that didn’t happen.

Baiser is horrified by this. She does not want to break the girls, she wants them to be powerful. She wants them to win. With her, the evil one, being nothing more than a vehicle for them to be even stronger than before.

This is the first time I’ve ever seen dominant or sadist characters being presented both sexually, and in such a positive light. Much less a queer woman in the same position.

It doesn’t treat BDSM sex as a disgusting taboo act, but something born out of genuine love - and a want to see the other person be or feel better.

This is reinforced around chapter 25 where Leberblume and Loco Mùsica are fighting Baiser. For context, Loco Musica wanted to be an Idol, but had terrible singing. She uses her evil power to basically force everyone to listen to her sing (which is so reminiscent of Mermaid Melody btw). When they fight, Baiser wins, and is then set to use her new found power to “punish” Loco Musica.

Originally, Loco Musica points out how Baiser’s sadistic tendencies are “the same” as Lord Enorme, who we’ve seen uses sadism as a genuine form of punishment. Something to avoid. You behave well, because you don’t want to get hurt or humiliated by her.

However, when Baiser uses her own unique type of sadism on Loco Musica, something happens. Instead of causing her physical pain by beating her or using violence, she forces her to get naked and perform her idol song like that. This causes her to get extremely embarrassed. And in the process, she actually starts to sing really well.

This is important for two reasons

1) Baiser is actually taking into account who Musica is. It’s later revealed that Musica wanted a more frilly idol-like outfit but Lord Enorme shut it down, for the sake of a more ‘unified’ aesthetic. Baiser is not just throwing around the same treatment and punishment for all girls - what one might like, the other might hate.

2) At the end of the day, while she did the punishment, it was both embarrassing, but ultimately something that helped Musica and made her feel better.

And that’s really the key here, and why I love the series.

Sadism, sex and kinks in general are not tools of degeneracy. They’re treated as part of our experience.

Also, it’s just fun?

Part 4: Gushing Over Magical Girls is just extremely fun when you don’t have a dumb bitch yapping abt how unholy it is to see tiddies on a screen

Yeah, GOMG just has one of the most creative depictions of the most insane of kinks you’ll see - I could spent hour gushing over Nero Alice.

Seeing all these different kinks being depicted as powers and abilities that these characters have - and seeing how they interact with other people is just interesting.

The sex scenes are both hilarious and kinda sexy. Specially if you do like to see women all hot and bothered. Personally I’m not into girls (or anyone for that matter) but I have to admit the scenes were pretty hot. And there is no shame in admitting as much. No matter what the puritanical Christian on Twitter crying abt “god honoring lesbian sex” Will tell you.

I cannot begin to explain just how hype and relatable it was to see Magia Baiser defeat Lord Enorme with the power of straight up delusion, we STAN.

So, yeah.

It’s been a while since I last saw a Magical Girl Show so unashamed of being a Magical Girl Show. Unashamed of being weird, of praising the genre and just enjoying it.

My essay is titled, in part, as a joking reference to my much more popular series “MLB is the worst thing to happen to the magical girl series”. Which I still think is true.

And while, yeah, maybe GOMG isn’t the best thing to come out of the genre…I still think it’s good that it came out.

A lot of people say they want a more “mature” take on Magical Girls but - this proved to me that just isn’t the case.

Gushing over magical girls proves that the Magical Girl Genre Can Be so much more than what people think. More than glitter and sparkles, more than vapid action scenes, or what little girls want.

Much like any other genre, it can be raunchy, it can be messy, it can explore things outside of the status quo. But it can still deeply respect the source material, and the origins of it.

GOMG proves Magical Girls can be fun. Just. Straight up fun. Regardless of your age. They can serve and connect you to parts of yourself you didn’t realize you could connect to.

I hope it proves to more people that the genre can be so much more than “just for little girls” that parodies can be more than pointing and laughing, and that it can have themes beyond just, “friendship”.

Magical Girls can be so much more. You just, have to have an open mind about it.

[yamisnuffles]

DATV Spoiler Free Review

I beat Veilguard a couple days ago and have had some time to let it settle in my brain. So, without getting into the nitty gritty and more spoilery things, here are my overall feelings on the game.

The Great:

The world itself. The scenery. It was really gorgeous and felt fully alive in a way that none of the previous games have quite managed. Since it wasn't as open world as DAI nor as narrow in scope as DA2 (nor as old as DAO lol), it felt more vital. Definitely a place where the advances in graphics helped, I'm sure.

The Good:

The companions. I wouldn't say any of them blew me away but they all at least ranged from enjoyable to very good. I definitely had my quibbles here and there but I think they were all pretty solid. As such, though I've only done one romance, I'll suppose they're all good. A bit... sparse in my experience and from what I've been hearing, but nice enough.

Overall, I also think the story was pretty good. Like much in this game, nothing that blew me away, but solidly compelling.

Also, mechanically, the gameplay and the glamour system. It still doesn't feel like DA to me but it was enjoyable once I got used to it. It works well with how I play games. And it was nice to just set looks for myself and my companions and not worry about stats vs appearance.

Rook. I have some definite Complaints, and so this point is probably closer to the good to mid range, but they did a pretty good job with letting you pull in your faction stuff. I'm prevented from saying great because it feels like, even with what are supposed to be rougher dialogue choices, you're limited to being mildly pleasant.

The Mid:

The music. This is tragic to me because every previous game had some really standout songs and DAI especially was such a solid soundtrack. I love soundtrack music. Also because Hans Zimmer! I love Hans Zimmer. But the entire thing felt very generic epic fantasy to me. It wasn't bad but it didn't feel good. The only times I ended up moved by the music was when they lifted DAI songs.

The lack of imports. It wasn't the end of the world but did make some cameos feel really off. And for all the talk of making what few things were imported matter, that really didn't feel like the case at all (unless you were in a specific subset of players). I didn't care too much, but it was just enough to make things feel weird, especially with characters like Harding who are so attached to previous stuff.

The Bad:

The world felt so sanitized. I have no issue getting rid of real life bigotry that makes so sense in the context of the world. For example, the sexism in DAO especially made no sense. That said, there was a lot of in world nastiness that is just... gone. The game does a lot of telling us the elves have it bad but doesn't show it. No one bats an eye at a Tevinter mage running about outside of Tevinter. No one cares about a Qunari in occupied Treviso. I suppose it's not the worst thing in the world but it feels weird, especially when it's so central to Solas' motivations.

This sanitization carried on through pretty much everything. All of the factions are presented as good and heroic, even the ones that are historically pretty shady. Your companions are all pleasant and palatable. They have the occasional minor squabble but even when they almost have actual beef, it's solved super easily. You might get some disapproval for decisions but companions never seem to much care or hold it against you, even on really big things. I don't need DA2 levels of interparty drama but, boy did I want a bit more tooth sometimes.

The Awful:

I can't get into it without spoilers but it did a Thing that Bioware sometimes likes to do that I absolutely loathe. This is definitely personal but it ruined some of my desire to replay.

Overall:

I'd give the game a 7/10 or maybe 6/10, depending on how I'm feeling. It was enjoyable for the most part but it had so many things that felt like splinters. Lots of little things that stuck under my skin and bothered me. Would I recommend it? Genuinely depends on the person.

[leresq]

Finally watched Deadpool and Wolverine. First of all I was not coming into this with high hopes because even though everyone was talking about how good this movie is I've never found the Deadpool movies funny. To me they're just different variations of "You haven't seen this in an Iron Man movie" stretched into two now three feature length films. But honestly I liked it at the end.

- Why are Logan's ears and one of his eyes not decayed when no other part of his body is intact? Why does he have a beard on his jawbone?

- I'll bite, the Bye Bye Bye is a fun idea. The wintery forest setting is cool.

- I can't enjoy that opening fight scene because it's not how anything works. You don't get bludgeoned with a dull object, have your body armour completely give way, and have a pint of blood splash out. I understand the whole point of Deadpool is that it's over the top, but this is just so overly gratuitous it's insane. I feel like Marvel Studios felt like they had to make it so unrealistically violent to try and separate it from the mainline MCU to get the people who have Deadpool funko pops to guffaw in the theatre. It's "You haven't seen this in an Iron Man movie" with zero words spoken. Honestly incredible.

- The CGI is better than it's been recently but it's still noticeably bad

- Peter Parker's Iron Man mask is on the desk in the background! How did that even get there.

- Why is Tony's ARC reactor on the table, I thought that was pushed into the river at the funeral

- The timeline is just so incredibly fucked. I still don't understand how the X Men timeline reboot works, or how Logan fits into it; if Logan dying means Deadpool's universe collapses, that implies the Logan movie is in the X Men reboot franchise, but Patrick Stewart is in that and James McAvoy plays him in the reboot making me think it's a one off... Augh my head...

- Something looks up with John Favraeu. I don't know if his wearing a wig is supposed to be obvious, I don't know if he's just under a lot of makeup or it's CGI, it's just weird.

- Deadpool is never going to be an Avenger because Marvel Studios would rather execute everyone working for them than give up the licencing deals from making PG13 movies, and Deadpool wouldn't feel the same in a PG13 movie.

- I think any brand would let Ryan Reynolds walk all over them in muddy boots, for some reason he gets the pass to slander anyone he wants to and he gets paid by the companies to do it.

- 'I don't have a lot of v*ginal sex' 🤨 that has numerous connotations. Also can we not do sex jokes in front of 12 year olds

- I was not expecting a Deadpool movie to contain any hints of character development because the previous two instalments seemed to be hellbent on making sure I understood nothing of emotional value would ever be allowed to appear without being undercut by a sex joke.

- "I've never been a natural bottom" 🤨🤨 I thought Poolverine was just the average two male leads naturally gets shipped together thing but no they're sowing the fields

- If that Thor crying over Deadpool never comes back I will say something about it

- If they didn't want me to know Paradox was going to be a villain why would they make him British

- The 'Suck it Fox' cut to nothing being there is the only time I will accept something raising more questions than answering them at this level as funny

- "Your tailor is a predator" caught me so off guard I started coughing

- Wow I wasn't expecting them to pull the Paradox is actually evil card not even a third into the movie. Honestly a good subversion of expectations.

- How is Deadpool's universe going to evaporate in 74 hours, I thought time doesn't exist at the TVA?

- Are they going to explain why Deadpool's suit can just fix itself now. It used to keep its holes.

- Finally, I think the first time we ever hear Deadpool is from Canada in the movies! I wonder if Ryan Reynolds only wanted to play him in the first place because they're both Canadian...

- "You two gonna fuck or fight?" 🤨🤨🤨

- I actually understood the Honey Badger reference

- the FF floating platform thingy is another reference I'm surprised I got

- The Human Torch CGI is actually really cool

- "Not all of you was asleep" after waking up on his shoulder 🤨🤨🤨🤨

- Too many cameos in Cassandra's little alcove so I'm not even going to bother looking for them all

- I'm not sure if Johnny Storm's death was supposed to be played for laughs or just shock value, either way I'm not laughing I loved those movies ;(

- How does Cassandra know she's Xavier's sister if she was sent to the Void before she could walk?

- Wolvie being nice to Johnny post mortem is cool

- Nicepool having a stronger Canadian accent is a good joke, and Deadpool looking on in disgust as Nicepool talks about his dog's 'G-spot' is good. At least that's not played off as just a normal thing to say even if it is a joke

- "I identify as a feminist" could easily be misconstrued as an 'anti-woke' joke but all of the jokes of a similar calibre in this movie seem to be made ironically. Example: Nicepool is a creep

- "Where's your mask" and Nicepool points to his face actually implying his nice guy attitude is a facade for being a shitty person is actually really good

- Why is Nicepool's car surrounded by untrampled corn, how did it get there? Who grew the corn?

- Deadpool includes Colossus in his world 🥺

- Wolverine is nothing if not an excellent shit talker, and it's actually very out of character for Deadpool to actually get affected by insults

- I wish The Greatest Showman soundtrack was incorporated for more than just a third of a second

- 'Close up magic' ant man reference?

- 'There's only ever gonna be one Blade' about that...

- I think that's Apocalypse's throne in Cassandra's room? Or Thanos's

- I never thought about how both Cassandra and Xavier's powers radiate from their heads until the Juggernaut helmet scene

- Finally some real actual genuine character development that's not thrown away for a joke!!! The best part of the movie to me was Cassandra's redemptio-. Oh. Nevermind. Anyway I like it better than if it were just shoved away for a joke then she died

- Deadpool waiting for the 'extras' to clear was, to me, a good indication that he's a hero now. Caring about civilians is #1 on my makes you a good guy requirements

- "You smell something?" "Yeah you" 🤨🤨🤨🤨🤨

- And there it is. Nicepool's death is probably the most predictable death I've ever seen on film.

- Eastside Pharmacy?! Agatha All Along reference???

- Wolverine's helmet looks like a rubber playground ball

- Will Marvel Jesus come back in three days however?

- Staring at Hugh's abs? Same, but 🤨🤨🤨🤨🤨🤨

- That hand holding ending was actually impressive, I wasn't sure what was going to happen and it actually kicked ass

- Is the guy with the mug who stared at Deadpool in the beginning Marvel's first gay character

- The introducing Logan to Blind Al is so unbelievably 'the parents meeting the boyfriend' I could die there's no fucking way that wasn't on purpose

[kaleidoscopiodeluz]

Imagine you are in your lowest point ever in life, you live alone in a nice house, but you're extremely lonely and sad. One day, a cat appears in your backyard. He's clearly malnourished and hurt, and he's unconscious when you find him. You can see that he actually has a collar with a nametag, but no phone number. You know he has a family, a home somewhere, but you can't really take him there and you also kinda think you can take better care of him. You actually pour all your ability to love onto this little fur ball, and you do save his life, so who cares if sometimes he cries while looking out the window? You know he's safe inside, you are doing everything in your power to make him happy and safe because you love him, he gave your life meaning. You buy him the best food and toys and a comfy bed, everything. About a year goes by and then, out of the blue, someone comes to your house and tells you that you have to let the cat go because he wasn't yours to begin with, he misses his family and has to get back home. What's more, they tell you that you can't take him there, that he has to face all those dangers that first brought him to you in the first place all by himself. You cry, you are angry and frustrated, you don't understand why this little baby doesn't want to stay with you when all you ever did was love him. But you let him leave. And now everyone hates you because you kept him from his home, and yes, maybe it was a mistake, and maybe it was wrong, but it didn't feel wrong at the time, you had the power to give him a great life, so why would you think he would choose the risk?

This is about Calypso in Epic: The Musical btw. She was definitely wrong for keeping Ody in the island, but she is a fucking goddess, in her logic it was within her power so why wouldn't it be within her rights? Again, she's definitely in the wrong, but Odysseus himself has done worse in the name of love and yet he's just a mere victim? That's not fair. Calypso is as complex a character as he is, she is very lovable and naive, and deeply wishes for Ody to love her and be thankful that she saved him and gave him everything he could ever want or need. She could make him immortal, she would do anything for him. She believes him wanting to go home to his wife is just a human whim that will go away once he sees everything she's willing to give him. And seven years is nothing when you're immortal, so she can wait it out patiently.

Also, Ody knows how pure of heart Calypso really is. He knows she hasn't done anything worse than the lengths he would go for Penelope, and it's been seven fucking years. Of course he loves her, not romantically, but he does love her. For the last seven years of his life she has been his everyday, she's been comforting and sweet and offered him love and luxuries. He loves her and he still sees her as an antagonist and that hurts them both. Leaving definitely wasn't easy for him either, but he had one goal in mind. One.

Also if someone comments anything about Calypso SAing Odysseus, NO SHE FUCKING DIDN'T. Even if the song didn't make it to the final version, Apetite shows us that she never actually forced him!

Anyways if you actually made it this far, I hope you have an amazing day, and remember: if you hate a morally grey character when is a woman of color but love it when is a white dude maybe the problem is not in the morality of the character. Ok, love you! Thanks for reading, byeeee

[rekino2114]

I love kanade I really really do, bjt Arei just wins out for me. So how about Arei from Despair time alphabet with J, L, V, Y

J,L,V and Y fluff alphabet prompts with arei nageishi and kanade otonokoji

A/n:I'll do you one better. Why choose when you can have both (yes, this is allowed. It's still 4 letters even with 2 characters)

Arei nageishi

🎳J=jealousy (how jealous do they get? What do they do when they're jealous?)

Arei gets jealous pretty easily. While she may appear to have a big ego, she knows better than anyone how her personality is, and she's very afraid that you'll get tired of it and leave her so when she sees a girl flirting with you she'll immediately start yelling at her and calling her every insult possible while telling her you're taken. She'll also start making out with you in front of her just to rub salt in the wound

🎳L=love confession(how did they confess to you?)

She invited you bowling and was planning to confess while comforting you for your loss, but she ended up getting distracted by you and her emotions and losing, so you comforted her instead and she blurted out that she loved you, she was very embarrassed at first but very surprised and happy when you accepted her confession

🎳V=value (How important is the relationship to them? What is it’s worth in comparison to other things in their life?)

Your relationship and you in general mean so much to her, specifically the fact that you could see through and endure her personality, you and eden are the only people who see her for what she actually is:a person genuinely trying her best to make friends and change at least a little bit. She knows she probably will never be a good person, but she doesn't really care as long as you're with her

🎳Y=yes (how do they react to you proposing to them?)

"So, did you bring me here just to get destroyed at bowling? Hehe, sorry, but seriously, why did you play with me? You usually just watch me play"

"Well today is special"

"Really? How so?"

Arei watched as you got on one knee, pulled out a ring, and started your speech. Part of her genuinely couldn't believe this was happening. She wanted to pinch herself to make sure she wasn't dreaming, and before she knew it, she started crying.

She carefully listened to everything you told her and had the biggest smile you had ever seen on her face while still crying when you asked her the question

"Are you fucking serious? Of course I will, yes, yes,yes, do you need me to say it again? cause I will, yes I would love to marry you"

Kanade otonokoji

🎸J=jealousy (how jealous do they get? What do they do when they're jealous?)

Kanade is very much the jealous type just seeing you talking with another girl causes her to get violent thoughts, and if that girl starts flirting with you, you might as well say your goodbyes because that is the last conversation you're gonna have with her, she obviously trusts you and knows you're never gonna leave her but it's better to send a message to any possible competition.

🎸L=love confession(how did they confess to you?)

She wanted to go all out to show you just how much she loved you, so she asked hibiki to make a special song for you and make her sing it this time, she was very surprised by her sister's actually pretty good performance but didn't think too much about it. She made a private concert for you and after she finished singing she went over and told you that everything she had said in the song was for you. She then kissed and hugged you when you said you liked her too. She may have seemed blushy and nervous on the outside, but on the inside, she couldn't be happier that you said yes as that made things much easier for both of you

🎸V=value (How important is the relationship to them? What is it’s worth in comparison to other things in their life?)

When kanade fell in love with you, any obsession she might have felt towards her sister was replaced by you. She couldn't think of anything but you. All her dreams were filled with her and you living a happy life together. She loved you so so so so much, and thankfully, you feel the same . She doesn't even have to break you to be with you. She would gladly kill everyone in the world, including her sister, to be with you or if you simply ask her to. So safe to say you mean a lot to her

🎸Y=yes (how do they react to you proposing to them?)

"The scenery is beautiful, darling, but why did you bring me here?"

Despite what her question might lead you to believe, she knew exactly why you were there, the recent searching for rings online and measuring of hibiki's finger (you didn't want her to know and they have the same fingers) made it obvious, it was a bit disappointing if she had to be honest, she wanted to be the one to propose, to make a perfect discourse on how much she truly loved you (as if she didn't do that every day) but she could never complain, it was an even greater sign that you wanted to be with her

"To do this"

You got on one knee and pulled the box out, kanade tried her best to look surprised, but the pure ecstasy that was filling her mind was too much to contain, she started drooling a bit and hearts replaced her pupils, her true self coming out for a bit, but she shrugged it off in time to answer your questions without you noticing

"O-of course my darling, I would love nothing more than to marry you, I want to live the rest of my life with you, I will love you forever and ever, that's a promise"

[plum-pitt]

X-Men Origins Rewrite

Ok I guess this is a follow up to this post i made not too long ago abt rewriting this shit, the brainworms rlly got to me here so you’re getting a follow up sooner than expected lol

Before I actually do any rewriting though I wanted to lay out the big changes I’d be making and why, mainly for myself as a guide and to organize my thoughts both about the original film’s issues and how these changes could potentially solve them, but also to allow anyone else with some ideas for possible changes to add their own thoughts or suggestions by engaging with the post.

As for what kind of final product you could possibly expect these ideas to result in, i haven’t quite decided if I want to just do an in depth outline for the story with my proposed changes or do like a full length fic novelization. It’ll probably depend on how motivated I still feel about the exercise by the time I’m finished and happy with the cleaned up outline, but I digress. Lets just go ahead and get into the changes I want to make:

Proposed Changes:

First off, I’m removing Blob and Gambit from this cut. I like both of the characters and think it’s cool they tried to include them but the cast is crammed enough as it is and those two serve very little narrative purpose that can’t be shifted to others just as easily.

Second, I’m adding Silverfox to Team X and letting that serve as the meeting point for her and Logan, it gives the audience more time to get to know her and come to care for her and Logan’s relationship, while also harkening back to the comics where she was also a part of the weapon x program. Also I know this isn’t a real film but let it be known that if it were i’d actually hire a Native American actress to portray her, i’m still shitty they whitewashed her.

Third, I’m removing the third act “Silverfox wasn’t really dead” twist. I really shouldn’t have to explain why, that shit was dumb and completely unnecessary, not to mention introducing a shit ton of plot holes with that whack ass mutant ability they pull from thin air. In my version she’s human(as far as we know) and when she dies she dies for real, full stop.

Fourth, we are GETTING a biblically accurate Deadpool. They did my bro dirty and I refuse to compromise on this. His role will be larger to compensate for his big ass personality and the fact that i’m affectively letting him take up Gambit’s role from the original in addition to what he already had. Also I just think he bounces off of Logan really well and could serve as a really interesting parallel with having such similar trauma and very different ways of responding to it and seeing the world. Like just imagine D&W if they accidentally traumabonded over their similar origin stories.

Fifth, I’m making Victor our stand in for the films Weapon XI! He doesnt get adamantium or new powers like Wade, only the dehumanizing psychological torture present in the original Weapon X comic. I think it works great for his spiraling arc, gives me a chance to squeeze a faithful weapon X adaptation in here without upending the entire film’s structure, and helps to better position his character on a trajectory towards his more feral appearance in X1 where he doesn’t seem to fully recognize Logan.

Sixth, I’d like to include Dr. Cornelius as the head scientist in Weapon X. My current concept is that he’s in charge of all the unethical mutant capturing and experimenting, working under Stryker’s supervision but still an outsider to the government, being sent in by Stryker’s most significant source of funding for his program in Nathaniel Essex. I know this has zero basis in canon I just think it sounds cool and makes sense for Sinister to have hands in a program aiming to create perfect mutant soldiers, as someone using mutants DNA to create a genetically perfect race of superhumans and become the ultimate life form. (Sinister would not play a large role, more of a looming presence pulling strings and fucking people over)

To get more overarching here, I wanted to hone in on the dynamics and themes present in the original that i thought had the most potential for further development. Victor’s spiral to madness and eventual complete loss of self under Stryker, Logan learning to let go of Victor’s influence and the violence that he let define his life only for both to drag him back after Silverfox’s demise. Really digging into that nature vs nurture shit, and adding more mutant politics (and their accompanying metaphors for the struggles of marginalized people) cuz honestly i feel like it’s absence in the original is very noticeable, and ties in really well with Logan’s arc of self acceptance and learning to see himself as more than the violent nature of his mutation.

Stuff I Still Want Changed:

Ok so here’s where I’m throwing my hat out for suggestions, because there are still a couple minor things present in the movie that i’m just not a fan of or don’t really know what to do with. The difference is, with these I can’t really think of tweaks that could fix/improve them. So if yall have any ideas on what I can do about these, or maybe some completely unrelated changes that you just think could improve the rewrite, please let me know.

One, not really sure what to do with Zero, he’s around for a lot of the movie but didn’t really stand out much to me. I just don’t know a lot about the character or what his deal is in the comics to find something cool to do with him. I’m going back and forth on if his role is ultimately necessary?? Does Stryker really need another henchman? Or should I use the space he occupies to hone in more on Victor and Logan’s rivalry? Idk i’m still on the fence so tell me what yall think.

Two, god I just fucking hate those memory wiping adamantium bullets. It’s such a stupid plot device that makes no sense conceptually and was clearly just thrown in as an afterthought at the last second like the writers forgot they needed to erase his memory by the end. That’s not to mention the fact that the bullets’ function was retconned later in Logan. Genuinely though I cannot find another way to go about fucking up Logan’s head without basically upending the structure of this movie in its entirety so any ideas on how to solve this dilemma are appreciated.

[mamaito]

Have you gotten the new endings in Homicipher like the Goodbye ending? What do you think of them?

The three new endings were rather confusing but from what I understand is that the heroine willed this entire world into existence, when the phone calls you one last time, commenting that you've been here before or rather from the very beginning changes the entire game's storyline.

Because then we have another information that Mr. Scarletella is implied to be a figment of the MC's imagination and she brought him to life because during her test of courage, and because she was reading urban legends at the time, came to life.

We have confirmation that in this world, if you willed something hard enough, it can come true. Like the injury that MC had or her size itself. But I doubt it is that powerful that you can will yourself back to your home because then that would mean apparitions can also will anything if they wanted to.

If it is true that she is dreaming all of this, then this adventure was all for naught and she just spooked herself silly. The ending where you're living with Mr. Crawling did not happen and my husband Mr. Hood did not exist...

There are things in the game that contradicts this, other people have experienced being trapped in this world and lived to tell the tale, there is a human walking around who knows the language which means he's been here for a very long now and she doesn't know him so there's no way she conjured all that.

We also have confirmation that Mr. Scarletella can morph reality as he see fits, during chapter 5, by making other characters disappear or the scenario be safe and secure before he arrives to ruin the illusion.

Mr. Scarletella's body is also in the abandoned building so I don't believe that he's a figment of her imagination, maybe a victim that she keeps thinking about? Maybe.. He does appear when there's no one there and it's dark.. Maybe she's regretting something that she keeps drowning out, idk.

So which one is true here, is up to interpretation at this point. But in my opinion, it is the second option.

There is also this question on whether MC is actually a monster or a human, but in my opinion, I think that ruins the theme of asking someone who's exactly is the monster here, figuratively, of course.

The heroine is quick tempered, prone to get revenge, bloodthirsty and violent. While the apparitions, even though they still commit violence, lies under misunderstanding and differing culture, if you can call it that.

tldr: the MC really wants a monster husband very badly. lol

[lumilasi]

This group were not meant to be Mouthwashing ocs, but I guess that's kinda where we have ended up for now? BC my brain cooked up a full blown story about Nadiya's crew helping them - minus certain someone...... So. Curly gets rad new wheels from them, a proper way to communicate, AND much better painkillers.

(other crewmembers so far: Nadiya I Stefan)

Also apologies for the poor quality doodle comic, I don't have much time or energy this week to dedicate for a proper one rn; even with these refs, I'm skipping steps I'd normally do when designing characters, and the fact they all wear similar clothes helps speed up the process.

More info about Cherry below:

She is half Korean, half Australian; her dad is the Aussie. She has a strained relationship with him due to the drama caused by her parent's divorce.

She dyes her hair pink, because during the divorce proceedings, her dad started complaining about how her natural dark hair made her appear "gloomy" constantly, and it had a major impact on her self-esteem. She picked pink as its her mother's favorite color.

Since the crew is full of big personalities, I decided to make her more down-to-earth/quieter/timid to balance things out

Stefan's childhood friend shares her crush, and they sometimes gush about him together when tipsy.

They don't mind the fact they both like him, and would be happy for the other if Stefan ended up with them (or they could share....)

She actually doesn't show her crush in front of Stefan easily, capable of remaining professional and all, even strict if he's injured; she tends to get all flustered AFTER he's left.

While a pacifist, her sniper skills have come handy in the past during their missions multiple times. She's learned her incredibly accurate aim from her Aussie dad.

[inspector-montoya-fox]

During our Sly 3 coverage on the podcast i had said that the main theme of A Cold Alliance is morality and, although i still stand by that, it wasn't until this summer's ice cream discourse that i noticed how this is presented: antithesis. Similarly to how the theme of gender is explored through appearance vs reality in Flight of Fancy, i think morality's portrayal is build upon the various antitheses and contrasts in this one. Let's discuss.

Immediately, the obvious centre piece for the theme is Sly & the Panda King. At surface level, you've got good vs evil, blue vs red, hero vs villain, pretty basic stuff. The odd pairing's juxtaposition is so striking that it forms the initial premise for the episode until we're introduced to Tsao, whose addition to the mix as a deeply rotten individual creates an entire moral spectrum on top of the standard "good vs evil" and positions Panda King right in the middle of it: Sly might not follow the law but he represents the "good"; Tsao's just a piece of shit like downright evil; Panda King is a villain but not necessarily "villainous". I love how SP included Panda King's mirror dilemma because it further paints this character as the true, ambiguous neutral between the two sides, especially with him mentioning the yin and the yang. In the antithesis between Sly and Tsao, the two are easily distinguishable because they're so far apart - hence Sly telling Tsao to his face that he's the worst guy he's ever faced - leaving Panda King to choose who to gravitate towards (i'm just realising that we could have easily been treated to Panda King reverting back to being a bastard and betraying the gang following the whole "hero and villain team up to take down more evil villain" storyline akin to Slade helping the Titans defeat Trigon). Here it's also worth mentioning that Carmelita's presence in this episode serves to match the moral extremism of Tsao, with her being the ultimate agent of "good" as opposed to his evil, but i'll get to her later.

Then, we have fire & ice. I mean yeah duh it doesn't take a genius to figure that one out. What i'm referring to here more specifically is how the weather and temperature are matched to the subplots at hand. This is something very briefly mentioned in Fire in the Sky, with Sly saying that the very sight of Carmelita warms his heart, and A Cold Alliance kinda builds on that. In the analogy of fire & ice, the Panda King finding his zen in his Master Pai Mei get-up is the serene and silent snow, tranquil and white, pure; whereas Tsao is the fire that seeks to destroy that, his hatred and cruelty being destructive, blazing. He's associated with the colour red & explosions: his rooster's "mohawk", the fire-breathing dragon he summons, the exploding vampires (Panda King is also associated with explosions because of his fireworks, but i'd argue it's slightly different because of the blue streaks they leave behind and are more like his form of expression as seen in his Sly 1 introductory cutscene). There's also Murray's heartbreak over the van being manifested as the literal block of ice it's stuck in. It's hard, unyielding and stubborn.

In a similar vein, we've got old & new. I'm going to keep this one brief but part of the reason why Tsao manages to outsmart the gang is because his whole appearance hinges on tradition, making him easy to underestimate. He resides within a palace in the Chinese countryside, he's a "warlock", he has conservative values. At the same time though, he's got his own personalised computer avi and keeps his treasure tucked under high-tech security. We've seen something similar with Jean Bison, who used Clockwerk parts to operate his trains and hid wifi in his boats, but that was kinda different because Bison was actually a clueless hick who wanted to sell his share of the parts to Arpeggio. Tsao on the other hand understands and utilises technology in mesh with his reverence for tradition.

Lastly, we've got the voyeuristic antithesis via Carmelita & Sly. I've recently covered how Sucker Punch's treatment of female characters, although not something to raise pitchforks over, is yeah pretty much designed solely through the lens of the male gaze. Carmelita's entire character is tethered to Sly's perception of her, and more generally how the main trio views her (i'd even go so far as to say this is on display during the operation's grapple-cam segment, where Bentley assumes this kind of like Big Brother role over her, which is later done with Penelope too btw... mama, the layers). In Battery of Peril however, the perspective is swapped with the Carmelita gameplay. And yeah, we've played as Carmelita before by this point, but here's the thing: this time it's all about stepping into Carmelita's shoes the way we've come to know her as for the past two games. Quintessential Carmelita is chasing Sly and now we're placed into that very role. Although the antithesis between law & crime is present throughout the series, here it's explored deeper to match the rest of the episode's interpretations of the theme.

[pleasantspark]

HH/HB Server gets mad at me for making Pentious Tan

I wanted to share Non-Pale. Tan Pentious edit and got dogpiled almost immediately.

Color Coded so people can't complain FAKE FAKE FAKE. The server is not going to be named as it's a pretty big server filled with minors and if you know which server it is, DON'T say it.

People in there are children and I do NOT want anyone getting harassed, this is just another example of people assigning intent. The only party that's uncensored is me.

Color Codes !!

Blue - Discord Friend Yellow - Someone with common sense. Black - Don't like these people Magneta - Someone not involved. Purple - Actual On Duty Mod. Light Green - Unsure if they are on my side or what Red - Person who said something uncomfortable to me.

I sent the render after completing it and using a BG Removal AI Tool to make it a render for my new wallpaper as I am taking Pentious and using him as my own.

People began to point out the "issue"

ID: Sir Pentious PFP with a trans masc flag on the outer ring named "Saint Pentious's Wife" with a small emoji of Vox and a leaf on discord next to it posted Today at 5:57 AM with the caption of "Is this render okay?" attached is a Sir Pentious image but of human and he's completely tanned.

Black #1 replied "He's a lot paler than that" and blue replies to black #1 with "mhh"

Saint Pentious's Wife forwards a earlier message from Purple stating "It's their headcanon" Black #1 said "Well if it's your head cannon that it's a good render then there you go"

Black #2 responds with an image definition of Headcanon which is:

Headcanon is a word used in film/television/comics/etc. fandom that refers to something a fan imagines about the characters (such as a scenario or relationship) but that doesn't appear on screen/on the page.

End ID

After I posted the image more people started being "jokey" which is impossible to tell and most of these people see others using tone tags. They were trying to make me feel bad about what I did. Labeling as racism and the such. I highlighted a few points that stand out.

ID: Saint Repentious's Wife was responding to Black #2 asking about what they should color Adam. "Yes"

Black #2 proceeded to send "?" as a response.

Another person, Black #3 responded to the intial post with a caption reading "Bro blackwashed him" and attached is the original concept of Sir Pentious.

I respond with something logical: "Why are Y'all being weird about it, I just made him tan. He's tan."

Black #3 responded. "But he's pale" and responded in regards to Alastor. "I also noticed that Alastor is still black in his demon form."

I responded. "You think all Londions are pale?"

Black #3 responds to Black #2 "With Adam's colors."

I proceeded to send:

"Thats kinda oddly weird. Like, why do you care what I do, it's not like he's being erased fully. He's still white but tan. Accusing me of racism is wildly crazy and makes me uncomfortable. Please stop it."

END ID.

I sent an image of the color wheel to showcase how pale he is. People still doesn't care.

ID: I sent a image of a hex code website with the hex code being displayed as #EFDFD8 and a caption reading: "This is where he is on the Color Wheel"

Black #??? responded: "He was white though"

I responded: "Why is everyone questioning people on redesigns?"

Red chimes in: "idk whats wrong with being pale"

I responded: "He's from London, not all Londonians are PALE."

Black #??? responded to Red: "Racism." With a blue shocked emoji.

I responded once again: "Nearly all of Viv's Characters are Pale. Imagine saying someone's racist just for making a character slightly tan thats crazy"

END ID

A little info on Red, they have numerous times made me uncomfortable, even after I told them to stop, they did not make the effort to apologize or even backtrack, even with Black #4 not taking it seriously. One of the rules in the server is not to make anyone uncomfortable specifically in regards to questions but also had a rule to be nice to everyone.

Red responds to a Vox PFP (Offscreen) with the caption "OVER FIVE YEARS?"

I responded to the conversation: "I fw Pilot Husk's design. I was a fan since the Pilot ages (Al's design more specifically.)" Beforehand Red also tried to make me feel weird for selfshipping with Husk by saying "He's a cat bro." yeah, and? People simp for Loona the same.

Black #4 responded to my uncomfortableness to Red with a skull emoji.

I responded: ":/ What? Personal trigger of mine, is that wrong of me to wish for people to not say that?"

Red once again doesn't take it seriously and tries to paint it as a light ribbing by saying: "it was sarcasm lil bro do u think im a perv or sum."

I responded: "Please don't call me Lil Bro, also, I dont understand tones. You're talking to someone who has Autism."

Red says: "sorry ma am" which isn't sincere in my eyes.

I correct them "*sir."

Red responds: "what.."

END ID

I clarified to Red on my correction and they were confused because of my name, when my pfp states my pronouns which were Ze/Zir/It/Its which should atleast give them the idea that I wasn't a ma'am.

ID: I responded to Red saying "I'm saying I'm a male? Not ma'am."

Red responded: "but but you ur display name nvm"

I responded: "Malwife doesn't fit" with a sobbing emoji after this.

END ID

I responded to Red on them calling me Lil Bro, as I am a full 20 years old, I don't care if its slang but I don't know you and if you call me Lil Bro, Sis, Hun then fuck off. I told them MULTIPLE times now, and they refused to, once again this server mentions you to NOT make people uncomfortable. This is where they made a "Joke" to my hard drive which has files of my Artwork and DBZ stuff. I'm a CSA survivor. You SHOULDN'T make those kinds of jokes to ANYONE especially IF they just joined the server.

ID: I responded to an offscreen ask by Red: "Sadly gtg trying to recover my corrupted hard drive with my DBZ stuff"

Red went out of left field with this "joke" which they could have NOT said: "ok dont drop the soap"

I responded: "Dont say that please."

Red didn't apologize but said: "ok."

END ID

This is the last image, basically, this STILL became an issue. Mod didn't try and scroll up. And I don't even care. Here's the final fuckfest that made me consider actually killing myself from the stress.

ID: Black #??? replies to me in regards to my offense on the term racism being thrown around as: "I was kidding bru don't take it personally"

Mod responds to my londons not being pale comment with: "in the 1800s before immigration was a thing (THIS ISN'T BEING RACIST) they would have all been really white"

I responded: "Yeah, I really wanted to make him tan"

Green chimed in: "There's a difference between Brown and grey"

Yellow responded: "It's just a headcanon stop being weird"

Mod responded to my tan comment: "Yeah that's fine like ur headcanon do what u want i was just saying information about 1800s uk."

Yellow comments on the double standards: "People in the 1800s also didn't know how to build laver death machines but y'all draw the line at a bit of Melanin."

Magneta replies to my earlier question about how they separates vocals: "weights al has a feature where it splits the vocals and music"

I responded: "I dunno man, people keep on jumping on people who does this, and it makes me anxious I am just doing something fun. I'm sorry for making a character slightly darker But a lot of people here have oddly said some really weird things to me like the whole "hope you don't drop the soap" I shouldn't have to say why that makes me uncomfortable due to personal reasons."

Mod replies to Yellow in regards to their excellent point: "Tesia was close enough"

Then Mod responded to me: "Ur drawings fine ignore people saying that"

END ID

I am aware that these people might be minors, but like WHAT THE FUCK? No ONE is this level of pale, I mean it's POSSIBLE but like NOT to the level of Sir Pentious. Also, if someone tells you to stop you do it, you don't continue with a joke.

This is literally making me want to kill myself. I like to thank Blue and Yellow for trying atleast. Sir Pentious was more Tan, he wasn't black or anything he was just more tan. It makes more sense then pale sheet white as snow template base that the fandom designs have.

I just am going thru alot so if I don't respond I did it.

I'm sorry.

(If I am still here, that means I apssed out, I am too depressed, peroiod ridden and sleep deprived.)

[hetalian-veteran]

Art Styles I Personally Think the Hetalia Characters Looked Their Best In (and Why) Part 3

Links to Pt.1, Pt.2

Please note that I am referring to the show and not the webcomic. This is primarily because I didn't always have access to the webcomic and thus the show is what I've always been most familiar with. I will also refrain from talking about characters that have only appeared in one season.

Also, please keep in mind that these are just my opinions. And if you have any different ideas of what designs looked better, that's totally okay. At the end of the day, I'm just here to have fun.

Also, we are talking about the Nordics today. And since these guys are some of my favorite characters, prepare for me to be very opinionated. You have been warned.

Denmark: Season 4

I don't know if this is a hot take or not, especially since we've only seen him in this art style a few times, but dangit, Denmark looked his absolute best in season 4. And you want to know why? Because the other seasons make him look like a literal child. And I'm not saying "child" as in, "Oh he just has a childish personality." No, I'm talking "child" as in "He physically looks like a little kid." Here, Denmark looks like an actual adult like the rest of the nations. Not to mention that I like the duller blond color of his hair here. It helps a little to set him apart from the other blonde characters whose hair is typically colored bright yellow. Also, I prefer his eyes colored a darker blue. I just think it looks nice. Also, his wardrobe is immaculate. 'Nuff said.

Sweden: Season 4

I was close to saying that I didn't have a favorite design for Sweden, because they all look so similar to me. But I ended up landing on his design for season 4 because of his outfit. It's simple, but I like the navy blue on the lighter shade, as well as the whole outfit itself being trimmed with gold. I really don't have much else to say on Sweden. Huh, I guess I'm not as opinionated on him as I thought I was.

Finland: Season 4

Ah yes, the character whose eyes keep changing colors. While I like how soft and rounded his design is in later seasons, as they help convey his softer and more demure personality, I still prefer his original design from season 4. The reason is largely his eyes. Not a lot of other Hetalia characters have brown eyes, and I liked this detail about Finland. It's a color choice that makes him surprisingly unique. I'd also like to mention that the color brown is a warmer color and has a psychological connection to feelings of warmth and comfort. Feelings that I feel are associated with aph Finland as a character, as I've always seen him as one of the more stable and grounded of the group.

Norway: Season 7

I know I've been giving season 7 of Hetalia some grief for making the characters look too childish or dorky looking, but somehow this has not affected aph Norway. If anything, I'd say he looks at his best here. In the previous seasons, his eyes always looked dull and lifeless. I understand that's supposed to be reflective of the character's deadpan and stoic personality, but it always threw me off. But here there's a glint of light inside his eyes, helping make him look alive while still maintaining his stoic appearance. Also, the hair and the cross hairclip are beautiful. His hair is so light and fluffy, and it's styled beautifully. And while it's not in this picture, we do still have his floating hair curl, which is always a nice touch. A classic staple of a design by Himaruya.

Iceland: Season 7

I prefer this design for aph Iceland because this is one where he looks the most like both an angsty teenager and a child. Which makes sense, as he's the youngest of the Nordic Five. It's simultaneously giving off "Ugh, don't talk to me!" vibes, combined with "I hope my big brother remembered to put a juice box in my lunch today," energy. I also like how similar he looks to Norway from season seven here as well. To me it's a cute nod to the fact(?) that they are biologically brothers. Also, this outfit? It's adorable, and I love it. The earmuffs are everything.